Wednesday, November 23, 2011

E.T.: The Extra-Terrestrial (Widescreen Edition)

  • Features include: -MPAA Rating: PG -Format: DVD-Runtime: 115 minutes
Director Steven Spielberg's heartwarming masterpiece is one of the brightest stars in motion picture history. Filled with unparalleled magic and imagination, E.T. follows the moving story of a lost little alien who befriends 10-year-old, Elliot. Experience all the mystery and fun of their unforgettable adventure in the beloved movie that captivated audiences around the world.Steven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is liv! ely as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom Keogh

The Girl from Purple Mountain: Love, Honor, War, and One Family's Journey from China to America

  • ISBN13: 9780312302702
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Krutin Patel's award-winning film ABCD ("American Born Confused Desi") is the story of an Indian family living in suburban New Jersey. Madhur Jaffrey (Cotton Mary) stars as Anju, a widow tugging on tradition and reluctant to accept the mores of North American society. Her main goal in life is to see her two children get married to respectable Indian partners. Raj (Faran Tahir) and Nina (Sheetal Sheth) are polar opposites; Raj is the "good son," engaged to a devoted and traditional Indian girl; and Nina is the wild child, rebelling against her mother and all aspects of Indian custom, including only sleeping with white men. Both of their lives change dramatically when they find themselves attracted ! to the person who they least expected. With a mix of humor and poignancy, Patel presents a compelling look at the emotional consequences of growing up without a firm cultural identity.
A family memoir set against the shifting tides of twentieth-century China, The Girl from Purple Mountain begins with a mystery: the Chai family matriarch, Ruth Mei-en Tsao Chai, dies unexpectedly and her grieving husband discovers that she had secretly arranged to be buried aloneรข€"rather than in the shared plots they had purchased together years ago.

For many years, Ruth's family remained shocked by her decision and could not begin to fathom her motivations. Over time, they would fully understand her extraordinary story. Ruth was born in China at the beginning of the 20th century, during the reign of the last emperor. Educated by American missionaries, she was one of the first women admitted into a Chinese university, during an era when most Chinese women were illiterate ! and had bound feet. She would defy tradition and refuse to mar! ry the m an her family had chosen for her, instead choosing his younger brother as her husband. Later, as the Japanese Army advanced across China during World War II, her foresight and quick thinking kept her family alive as she, her husband, and their three sons were forced to flee from city to city. In war-torn Chungking, she was Lady Mountbatten's interpreter as the Allies struggled to help China. After the war, the Chais immigrated to the U.S. to what seemed, until Ruth's death, a happier and more peaceful life.

In this extraordinary family epic, Ruth's first-born son, Winberg, and his daughter May-lee explore family history to reconstruct her life as they seek to understand her fateful decision. As Winberg writes: "It is my duty to try to understand my mother, to seek answers. To ignore the past is too much like forgetting . . . I hope my memories are enough to fulfill a son's obligations."

POGO Hearts, Spades and More!

  • $0.99 for a limited time
First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the infamous Shamrock Hotel from which Aiden Keane doesn't collect. But with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A de! al is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?ร‚  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please visit: thedivaspen.com.First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the inf! amous Shamrock Hotel from which Aiden Keane doesn't collect. B! ut with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A deal is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?ร‚  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please ! visit: thedivaspen.com.

From the author of Pitching Around Fidel and Far Afield comes an account of the accidental death of minor league first base coach Mike Coolbaugh, illustrating the many ways in which baseball still has a hold on America.

Heart of the Game centers on the death of Mike Coolbaugh, a minor league coach who was killed on a sweltering Sunday evening in Little Rock in July 2007 when a foul ball rocketed off Tino Sanchez's bat. Coolbaugh died almost instantly, his body carted off the field of the Double-A Arkansas Travelers. He was thirty-five years old and the father of two; a third child was on the way.

Mike's exemplary lifeรข€"his devotion to the game and to his familyรข€"is the spine of the story. But it isn't the drama. The drama is in the telling of what can happen when a projectile hits the human body, of the narratives of the remarkable people who happened to be in the ballpark at that fatal moment, of the impac! t of Coolbaugh's death on the man who hit the ball, and of all! the liv es left behind.

Price reveals anew that classic heart of Americanaรข€"small-town sports, small-town livesรข€"and makes us understand that a game played away from the mindless churn of Internet blather and highlight shows can be more important than those played on the national stage.

Play 5 popular card games: Hearts, Spades, Euchre, Gin and Canasta.

In Hearts, the goal is to win as few points-paying hearts as possible or to win all the points-paying cards at once. The winner is the one who finishes with the game with the fewest points. In Spades, the goal is to bid and win a specific number of hands, by playing the highest card by round or by playing the highest spade. The team that bids and wins the most hands, wins the game. In Euchre, the goal is for you and your partner to get as many tricks per round as possible. You get tricks by having the highest trump card or highest suited card if no trump card is played. The team that scores 10 points first w! ins. The goal of Gin is to make sets of cards, based on runs in suit or matching rank. The player who can make the most matches earliest typically wins. In Canasta, you make sets of up to seven cards. The player who first makes sets of all his cards will make the most points typically wins.

Learn and master each game through in-depth tutorials with rules and tips on how to improve your play and track your stats across all 5 games.

What game are you going to play first

The Best of Dudley Do-Right, Vol. 1

  • DoRight always does right somehow! He's back! The only Mountie ever to arrest a redwood tree . for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his
Follow the hilarious exploits of the dedicated but hapless young Mountie as he struggles to outwit the evil Snidely Whiplash.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 6-JAN-2004
Media Type: DVDBrendan Fraser (George of the Jungle, The Mummy) brings his considerable charm to this awkward live-action version of the classic cartoon Dudley Do-Right. The first half of the movie lays out the basic elements of the cartoon (none-too-bright Canadian ! Mountie battles melodrama villain Snidely Whiplash with pluck and dumb luck) with little wit or imagination, but lots of pratfalls and broad gags. But about halfway into it, when Whiplash has taken over the town of Semi-Happy Falls and become its leading citizen, the movie takes a curious turn: Since Whiplash has become, to all appearances, a good guy, Dudley decides the only way to fight him is to turn into a bad guy. Next thing you know, Dudley is decked out in black leather and cruising around on a motorbike while Whiplash fumes impotently. Bullwinkle fans may decry this departure, but it gives the movie a much-needed burst of energy and the opportunity for some entertainingly surreal images--like Whiplash up to his neck in a mudbath with cucumber slices on his eyes, consulting with his henchmen about dealing with that unpredictable Do-Right. With Alfred Molina, Sarah Jessica Parker, and Monty Python's Eric Idle. --Bret FetzerDoRight always does righ! t somehow! He's back! The only Mountie ever to arrest a redwo! od tree ... for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his pathetic allergy in "Marigolds"! Each cartoon pits him against that nefarious ne'erdowell Snidely Whiplash! Wittily written and voiced, these timeless classics are a fond salute to oldtime melodrama and remain some of the funniest cartoons ever made.

(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

  • decorate your walls with this brand new poster
  • easy to frame and makes a great gift too
  • ships quickly and safely in a sturdy protective tube
  • measures 24.00 by 36.00 inches (60.96 by 91.44 cms)
(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

Hannibal Rising (Unrated Widescreen Edition)

  • In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the
Anthony Hopkins is "perverse perfection" (Rolling Stone) in his return to the role of Dr. Hannibal Lecter, the sophisticated killer who comes out of hiding to draw FBI agent Clarice Starling (Julianne Moore) into a high-stakes battle that will test her strength, cunning and loyalty.Yes, he's back, and he's still hungry. Ten years after The Silence of the Lambs, Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art! and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realize that the hideously deformed Verger--who, upon suggestion from Dr. Lecter, peeled off his own face--is using her as bait to lure Dr. Lecter out of hiding, quite certain he'll capture the good doctor.

Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Claric! e), this movie is all Hannibal. Does it work? Yes--but only up! to a po int. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world.

But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds h! im. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward....


From the Paperback edition.Horror lit's head chef Harris serves up another course in his Hannibal "The Cannibal" Lecter trilogy, and it's a piรƒ¨ce de rรƒ©sistance for those with strong stomachs. In the first book, Red Dragon (filmed as Manhunter), Hannibal diabolically helps the FBI track a fascinating serial killer. (Takes one to know one.) In The Silence of the Lambs, he advises fledgling FBI manhunter Clarice Starling, then makes a bloody, brilliant escape.

Years later, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Han! nibal lives the good life in Florence, playing lovely tunes b! y serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno.

Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets.

What happens when the Italian cop gets alone with Hannibal? How does Clarice's reunion with Lect! er go from macabre to worse? Suffice it to say that the plot is Harris's weirdest, but it still has his signature mastery of realistic detail. There are flaws: Hannibal's madness gets a motive, which is creepy but lessens his mystery. If you want an exact duplicate of The Silence of the Lambs's Clarice/Hannibal duel, you'll miss what's cool about this book--that Hannibal is actually upstaged at points by other monsters. And if you think it's all unprecedentedly horrible, you're right. But note that the horrors are described with exquisite taste. Harris's secret recipe for success is restraint. --Tim Appelo (Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy l! overs of Thomas Harris's epic tale. After young Hannibal (Aaro! n Thomas ) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by starving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingรข€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsรข€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation fo! r why he slices off and eats his victims' cheeks. The story only complicates when Hannibal interacts with his sexy Aunt, Lady Murasaki (Gong Li). When Murasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

Brokeback Mountain [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen
Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenhaal deliver emotionally charged, remarkably moving performances in "a movie that is destined to become one of the great classics of our time" (Clay Smith, The Insider). Starring: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Linda Cardellini, Randy Quaid, Scott Michael Campbell, Anna Faris, David Harbour Directed by: Ang LeeA sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other ! movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catches fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown! significantly. And while Jack harbors dreams of a life togeth! er, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse bleakness of McMurtry's The Last Picture Show with its fading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is u! nparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark EnglehartDirected by Academy Awardร‚®-winning filmmaker Ang Lee, Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenh! aal deliver emotionally charged, remarkably moving performance! s in รข€œ a movie that is destined to become one of the great classics of our timeรข€ (Clay Smith, The Insider).A sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catche! s fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown significantly. And while Jack harbors dreams of a life together, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the ! sparse bleakness of McMurtry's The Last Picture Show wi! th its f ading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is unparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark Englehart

Dirty Deeds (Unrated)

  • An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Dirty Deeds" an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl o
DIRTY DEEDS...when good, clean fun isn't an option. Just once, good girl Tate Cross wants to experience a red-hot, no-strings-attached affair. Shes temporarily left her graphic artist position in Denver to settle her aunts estate in Spearfish, South Dakota. However, Tate receives a city mandate: she must comply with new landscaping regulations before she can resell the property. Given Tates precarious finances, she asks her friend, Val for advice. Val swears her brotherowner of a local con! struction company, and a man well-versed in purely physical relationshipsmight consider trading dirt work for art lessons. When Tate meets the mysterious Casanova, can she convince him to toss in a few sex lessons as well? Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. Hes kept past liaisons casuala fact his sister shared, hence Tates sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, hes tired of relationships based solely on sex. His goal of proving hes not completely hopeless in matters of the heart is second only to his dream of expanding his business. What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance? A battle of wills ensues. And Tate is willing to get down and dirty to get what she wants. Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.
DIRTY DEEDS...when g! ood, clean fun isn't an option. Just once, good girl Tate Cros! s wants to experience a red-hot, no-strings-attached affair. She's temporarily left her graphic artist position in Denver to settle her aunt's estate in Spearfish, South Dakota. However, Tate receives a city mandate: she must comply with new landscaping regulations before she can resell the property. Given Tate's precarious finances, she asks her friend, Val for advice. Val swears her brother-owner of a local construction company, and a man well-versed in purely physical relationships-might consider trading dirt work for art lessons. When Tate meets the mysterious Casanova, can she convince him to toss in a few sex lessons as well?

Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. He's kept past liaisons casual-a fact his sister shared, hence Tate's sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, he's tired of relationships based solely on sex. His goal of proving he's not completel! y hopeless in matters of the heart is second only to his dream of expanding his business.

What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance?

A battle of wills ensues.

And Tate is willing to get down and dirty to get what she wants.

Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.

DIRTY DEEDS...when good, clean fun isn't an option. Just once, good girl Tate Cross wants to experience a red-hot, no-strings-attached affair. She's temporarily left her graphic artist position in Denver to settle her aunt's estate in Spearfish, South Dakota. However, Tate receives a city mandate: she must comply with new landscaping regulations before she can resell the property. Given Tate's precarious finances, she asks her friend, Val for advice. Val swears her brother-owner of a local construction company, and a man well-versed in purely physical relationsh! ips-might consider trading dirt work for art lessons. When Tat! e meets the mysterious Casanova, can she convince him to toss in a few sex lessons as well?

Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. He's kept past liaisons casual-a fact his sister shared, hence Tate's sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, he's tired of relationships based solely on sex. His goal of proving he's not completely hopeless in matters of the heart is second only to his dream of expanding his business.

What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance?

A battle of wills ensues.

And Tate is willing to get down and dirty to get what she wants.

Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.

An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Di! rty Deeds"รข€¦ an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl of his dreams (Lacey Chabert).

Bullet

  • BulletMickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action f
A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slow! ly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer Two killers are hiding where no one will ever find them...behind their badges! Tupac Shakur (in hisfinal and most riveting performance) and James Belushi are two corrupt police detectives caught in a dangerous web of deceit in this "gritty, smart and tough" (CBS-TV) action thriller that will hold you in its grip from start to finish. Detectives Divinci (Belushi) and Rodriguez (Shakur) practice their own deadly brand of street justice: They set up drug deals, seize the money for themselves and then murder the dealers. It's a lucrative racket that has worked without a hitch for months. But when they discover that their latest victim was an under! cover officer with the Drug Enforcement Agency, the two corrup! t cops a re forced to initiate a dangerous scheme to save their own lives. And as their "foolproof" plan begins to spin madly out of control, Divinci and Rodriguez are trapped in a tornado of suspicion, betrayal and murder in which they can trust no one...not even each other.A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slowly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the! lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer When their friend Cookie o.d.'s, best buddies and musicians Spoon (Tupac Shakur) and Stretch (Tim Roth) decide it's time to kick their drug habit by putting themselves into detox. But they soon discover that the road to rehab is paved with reams of social service red tape. Spoon and Stretch are just trying to stay alive until they can get treatment. But, between the angry drug dealers, the cops who have mistaken them for murderers, and the people with forms and clipboards, this turns into a task of epic proportions. Thus enfolds their comic adventure to sobriety- a hilarious, action-packed journey from A to Z and back again. Starring: Tim Roth, Tupac Shakur, Thandie Newton Directed by: Vondie Curtis-HallBritish actor Tim Roth and the rapper Tupac Shakur are an unexpectedly charismatic and refreshing duo in this off-beat buddy movie. Closer than two brot! hers, these junkie musicians vow to kick their habits after a ! soul-sha ttering New Year's Eve. Gridlock'd is fueled by characterization, of which there is plenty, as the two play off one another with such finesse you would never know Shakur had been a relative novice to the acting profession. Off-beat humor lightens a bleak reality as these outcasts run smack against a brutal bureaucracy. Except for a tired subplot meant to jazz up the action, director Vondie Curtis-Hall employs an inventive approach in this sadly ignored theatrical release. --Rochelle O'Gorman Bullet Mickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action films-powerful, violent and real. Mickey Rourke is Butch "Bullet" Stein and th! e late Tupac Shakur is Tank in this stylish, Julien Temple-directed crime drama. Narrative is secondary to atmosphere in the violent, yet sensitive tale of an ex-con (Rourke) attempting to adjust to life on the outside. The minute Bullet emerges from the pen, however, the blood and profanity begin to flow just as freely as the references to Dali and Picasso (his younger brother is an artist). His drug problem is bad enough, but the biggest threat comes from the Kangol-sporting, eye-patched Tank, who intends to get his revenge for the eye Bullet took from him. Classical music and opera, meanwhile, bump up against hip-hop and Barry White. Despite the billing, this is Rourke's show all the way and Tupac's part is quite small in comparison. Ted Levine (The Silence of the Lambs) and Adrien Brody (The Pianist) star as Bullet's eccentric brothers. --Kathleen C. Fennessy

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