- Features include: -MPAA Rating: PG -Format: DVD-Runtime: 115 minutes
From the author of Pitching Around Fidel and Far Afield comes an account of the accidental death of minor league first base coach Mike Coolbaugh, illustrating the many ways in which baseball still has a hold on America.
Heart of the Game centers on the death of Mike Coolbaugh, a minor league coach who was killed on a sweltering Sunday evening in Little Rock in July 2007 when a foul ball rocketed off Tino Sanchez's bat. Coolbaugh died almost instantly, his body carted off the field of the Double-A Arkansas Travelers. He was thirty-five years old and the father of two; a third child was on the way.
Mike's exemplary lifeรข"his devotion to the game and to his familyรข"is the spine of the story. But it isn't the drama. The drama is in the telling of what can happen when a projectile hits the human body, of the narratives of the remarkable people who happened to be in the ballpark at that fatal moment, of the impac! t of Coolbaugh's death on the man who hit the ball, and of all! the liv es left behind.
Price reveals anew that classic heart of Americanaรข"small-town sports, small-town livesรข"and makes us understand that a game played away from the mindless churn of Internet blather and highlight shows can be more important than those played on the national stage.
Play 5 popular card games: Hearts, Spades, Euchre, Gin and Canasta.
Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Claric! e), this movie is all Hannibal. Does it work? Yes--but only up! to a po int. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world.
But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds h! im. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward....
From the Paperback edition.Horror lit's head chef Harris serves up another course in his Hannibal "The Cannibal" Lecter trilogy, and it's a piร¨ce de rร©sistance for those with strong stomachs. In the first book, Red Dragon (filmed as Manhunter), Hannibal diabolically helps the FBI track a fascinating serial killer. (Takes one to know one.) In The Silence of the Lambs, he advises fledgling FBI manhunter Clarice Starling, then makes a bloody, brilliant escape.
Years later, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Han! nibal lives the good life in Florence, playing lovely tunes b! y serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno.
Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets.
What happens when the Italian cop gets alone with Hannibal? How does Clarice's reunion with Lect! er go from macabre to worse? Suffice it to say that the plot is Harris's weirdest, but it still has his signature mastery of realistic detail. There are flaws: Hannibal's madness gets a motive, which is creepy but lessens his mystery. If you want an exact duplicate of The Silence of the Lambs's Clarice/Hannibal duel, you'll miss what's cool about this book--that Hannibal is actually upstaged at points by other monsters. And if you think it's all unprecedentedly horrible, you're right. But note that the horrors are described with exquisite taste. Harris's secret recipe for success is restraint. --Tim Appelo (Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy l! overs of Thomas Harris's epic tale. After young Hannibal (Aaro! n Thomas ) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by starving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingรข"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsรข"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation fo! r why he slices off and eats his victims' cheeks. The story only complicates when Hannibal interacts with his sexy Aunt, Lady Murasaki (Gong Li). When Murasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton
Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. He's kept past liaisons casual-a fact his sister shared, hence Tate's sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, he's tired of relationships based solely on sex. His goal of proving he's not completel! y hopeless in matters of the heart is second only to his dream of expanding his business.
What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance?
A battle of wills ensues.
And Tate is willing to get down and dirty to get what she wants.
Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.
Nathan LeBeau believes few women look at the Native American man beneath the filthy work clothes and hard hat. He's kept past liaisons casual-a fact his sister shared, hence Tate's sexy proposition of wanting a hands on demonstration of his sexpertise. But in truth, he's tired of relationships based solely on sex. His goal of proving he's not completely hopeless in matters of the heart is second only to his dream of expanding his business.
What happens when Tate desires no-holds-barred sex and Nathan favors a good old-fashioned romance?
A battle of wills ensues.
And Tate is willing to get down and dirty to get what she wants.
Warning, this title contains the following: steamy, explicit sex told in contemporary, graphic language.