- Special Features: * Director's Commentary.
- * David Spade's Commentary.
- * Outtakes and Bloopers Reel.
- * Deleted and Alternate Scenes.
- * Filmographies. * Production Notes. * and more!
Experience Bond action once again as the GoldenEye story comes to life with an updated single player storyline with GoldenEye 007 for Nintendo Wii from Activision.
1995 - MGM / UA - Goldeneye - DVD Video - Stars: Pierce Brosnan / Sean Bean / Izabella Scorupco / Famke Janssen / Joe Don Baker - Director: Martin Campbell - Length: 2 Hours 10 Minutes - Special Edition : Widescreen - Special Features - All Original Artwork & Liner Notes - Rated PG - Like New - CollectiblePierce Brosnan assumed the role of James Bond for t! he first time in this 17th entry in the series. Brosnan looks a little light on the big screen under any circumstances, and he does take some getting used to as 007. But this busy film keeps him hopping as freelance terrorists from the former Soviet Union get their hands on super-high-tech weapons. The film's challenge is to bring free-spirited Bond up to date in the age of AIDS and in the aftermath of the cold war, and on both counts director Martin Campbell (The Mask of Zorro) succeeds with a cheeky hint of irony. The best moment in the film is a chase scene that finds Bond tearing up the streets of Moscow in a tank. But Brosnan's most interesting contributions are reminiscent of the dark streak that occasionally showed up in Sean Connery's Bond. The DVD release has optional full-screen and widescreen presentations, optional French and Spanish soundtracks, theatrical trailer, Dolby sound. --Tom Keogh
From Nobel Prizeâ"winning author José Saramago, a magnificent, mesmerizing parable of loss
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A city is hit by an epidemic of "white blindness" that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her chargesâ"among them a boy with no mother, a girl with dark glasses, a dog of tearsâ"through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.In an unnamed city in an unnamed country, a man sitting in hi! s car waiting for a traffic light to change is suddenly struck blind. But instead of being plunged into darkness, this man sees everything white, as if he "were caught in a mist or had fallen into a milky sea." A Good Samaritan offers to drive him home (and later steals his car); his wife takes him by taxi to a nearby eye clinic where they are ushered past other patients into the doctor's office. Within a day the man's wife, the taxi driver, the doctor and his patients, and the car thief have all succumbed to blindness. As the epidemic spreads, the government panics and begins quarantining victims in an abandoned mental asylum--guarded by soldiers with orders to shoot anyone who tries to escape. So begins Portuguese author José Saramago's gripping story of humanity under siege, written with a dearth of paragraphs, limited punctuation, and embedded dialogue minus either quotation marks or attribution. At first this may seem challenging, but the style actually contributes to! the narrative's building tension, and to the reader's involve! ment.
In this community of blind people there is still one set of functioning eyes: the doctor's wife has affected blindness in order to accompany her husband to the asylum. As the number of victims grows and the asylum becomes overcrowded, systems begin to break down: toilets back up, food deliveries become sporadic; there is no medical treatment for the sick and no proper way to bury the dead. Inevitably, social conventions begin to crumble as well, with one group of blind inmates taking control of the dwindling food supply and using it to exploit the others. Through it all, the doctor's wife does her best to protect her little band of blind charges, eventually leading them out of the hospital and back into the horribly changed landscape of the city.
Blindness is in many ways a horrific novel, detailing as it does the total breakdown in society that follows upon this most unnatural disaster. Saramago takes his characters to the very edge of humanity and then pushes ! them over the precipice. His people learn to live in inexpressible filth, they commit acts of both unspeakable violence and amazing generosity that would have been unimaginable to them before the tragedy. The very structure of society itself alters to suit the circumstances as once-civilized, urban dwellers become ragged nomads traveling by touch from building to building in search of food. The devil is in the details, and Saramago has imagined for us in all its devastation a hell where those who went blind in the streets can never find their homes again, where people are reduced to eating chickens raw and packs of dogs roam the excrement-covered sidewalks scavenging from corpses.
And yet in the midst of all this horror Saramago has written passages of unsurpassed beauty. Upon being told she is beautiful by three of her charges, women who have never seen her, "the doctor's wife is reduced to tears because of a personal pronoun, an adverb, a verb, an adjective, mere gra! mmatical categories, mere labels, just like the two women, the! others, indefinite pronouns, they too are crying, they embrace the woman of the whole sentence, three graces beneath the falling rain." In this one woman Saramago has created an enduring, fully developed character who serves both as the eyes and ears of the reader and as the conscience of the race. And in Blindness he has written a profound, ultimately transcendent meditation on what it means to be human. --Alix Wilber
In this community of blind people there is still one set of functioning eyes: the doctor's wife has affected blindness in order to accompany her husband to the asylum. As the number of victims grows and the asylum becomes overcrowded, systems begin to break down: toilets back up, food deliveries become sporadic; there is no medical treatment for the sick and no proper way to bury the dead. Inevitably, social conventions begin to crumble as well, with one group of blind inmates! taking control of the dwindling food supply and using it to exploit the others. Through it all, the doctor's wife does her best to protect her little band of blind charges, eventually leading them out of the hospital and back into the horribly changed landscape of the city.
Blindness is in many ways a horrific novel, detailing as it does the total breakdown in society that follows upon this most unnatural disaster. Saramago takes his characters to the very edge of humanity and then pushes them over the precipice. His people learn to live in inexpressible filth, they commit acts of both unspeakable violence and amazing generosity that would have been unimaginable to them before the tragedy. The very structure of society itself alters to suit the circumstances as once-civilized, urban dwellers become ragged nomads traveling by touch from building to building in search of food. The devil is in the details, and Saramago has imagined for us in all its ! devastation a hell where those who went blind in the streets ! can neve r find their homes again, where people are reduced to eating chickens raw and packs of dogs roam the excrement-covered sidewalks scavenging from corpses.
And yet in the midst of all this horror Saramago has written passages of unsurpassed beauty. Upon being told she is beautiful by three of her charges, women who have never seen her, "the doctor's wife is reduced to tears because of a personal pronoun, an adverb, a verb, an adjective, mere grammatical categories, mere labels, just like the two women, the others, indefinite pronouns, they too are crying, they embrace the woman of the whole sentence, three graces beneath the falling rain." In this one woman Saramago has created an enduring, fully developed character who serves both as the eyes and ears of the reader and as the conscience of the race. And in Blindness he has written a profound, ultimately transcendent meditation on what it means to be human. --Alix Wilber
Erik Larsonâ"author of #1 bestseller In the Garden ! of Beastsâ"intertwines the true tale of the 1893 World's Fair and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was! built. His efforts to complete the project, and the fair's in! credible success, are skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe
Around the world, countries are faced with difficult choices. Endgame provides a framework for making those choices. Q&A with Authors John Mauldin and Jonathan Tepper
Even if you donât give a damn about chess, or Bobby Fischer, youâll find yourself engrossed by Frank Bradyâs book about Fischer, which reads like a novel.
The facts of Bobbyâs life (I knew him from several memorable appearances on âThe Dick Cavett Showâ on both sides of the Big Tournament) are presented in page-turner fashion. Poor Bobby was blessed and cursed by his genius, and his story has the arc of a Greek tragedy---with a grim touch of mad King Lear at the end.
The brain power and concentrated days and nights Bobby spent studying the game left much of him undeve! loped, unable to join conversations on other subjects. Later in his life, unhappy with his limited knowledge of things beyond the chess board, he compensated with massive study---applying that same hard-butt dedication to other fields: politics, classics, religion, philosophy and more. He found a hide-away nook in a Reykjavic bookstore---barred from his homeland, Iceland had welcomed him back---where he read in marathon sessions. (After he was recognized, he never went back to his cozy cul de sac.)
In Bradyâs telling the high drama of the Spassky match quickens the pulse; the contest that made America a chess-crazed land was seen by more people than the Superbowl. People skipped school and played sick in vast numbers, glued to watching Shelby Lyman explain what was happening. The fanaticism was worldwide. The match was seen as a Cold War event, with the time out of mind chess-ruling Russian bear vanquished.
Arguably the best known man on the planet at his! triumphant peak, Bobby is later seen in this account riding b! uses in Los Angeles, able to pay his rent in a dump of an apartment only because his mother sent him her social-security checks. The details of all this are stranger than fiction, as is nearly everything in the life of this much-rewarded, much-tortured genius.
I liked him immensely, knowing only the tall, broad-shouldered, athletically strong and handsome six-foot-something articulate and yes, witty, youth that Bobby was before the evil times set in, with deranged anti-Semitic outbursts and other mental strangeness preceding his too early end at age 64.
I canât ever forget the moment on the show when in amiable conversation I asked him what, in chess, corresponded to the thrill in another sort of event; like, say, hitting a homer in baseball. He said it was the moment when you âbreak the other guyâs ego.â There was a shocked murmur from the audience and the quote went around the world.
Frank Bradyâs Endgame is one of those books that makes y! ou want your dinner guests to go the hell home so you can get back to it.
The long-awaited companion piece to Derrick Jensen's immensely popular and highly acclaimed works A Language Older Than Words and The Culture of Make Believe. Accepting the increasingly widespread belief that industrialized culture inevitably erodes the natural world, Endgame sets out to explore how this relationship impels us towards a revolutionary and as-yet undiscovered shift in strategy. Building on a series of simple but increasingly provocative premises, Jensen leaves us hoping for what may be inevitable: a return to agrarian communal life via the disintegration of civilization itself.Around the world, countries are faced with difficult choices. Endgame provides a framework for making those choices. Q&A with Authors John Mauldin and Jonathan Tepper
Around the worl! d, count ries are faced with difficult choices. Endgame provides a framework for making those choices.Limited edition pressing. 2011 album from the Chicago-based Punk act. The lyrics of the album touch on real world events, such as Hurricane Katrina and the Deepwater Horizon oil spill. According to Mcllrath, although the lyrics discuss grim topics, they actually take on a positive view and were written from the perspective of: 'What if the place on the other side of this transition is a place we'd all rather be living in?' Mcllrath tweeted a clarifying message stating that the record is not a concept record and, fret not, has absolutely nothing to do with the Dixie Chicks. The first single from the album is 'Help Is On The Way',
Track listing:
1. Perfect Insanity
2. Liberate
3. Stupify
4. Ten Thousand Fists
5. The Game
6. Down With The SicknessDisturbed began building 'Asylum' as soon as they got off the road in the summer of 2009. Officially entering Groovemaster Studios in February 2010, the band set about self-producing the album, as they did with 'Indestructible.' Draiman declares, 'This record shows a certain degree of maturation and enhanced complexity. 'Asylum' is still identifiably Disturbed, but the evolution is clear. It preserves the elements of what we do but at a more advanced level.'
Each CD includes a card to access exclusive download or stream of the documentary 'Decade of Disturbed' that recalls ten years of history in the most candid of ways. It takes you through years of countless tours, dedication and sacrifice stripping away all the gloss and letting the real story be told... the documentary is about the fans and their brotherhood that has been formed with the band.
Also Available as a Limited Edition CD+DVD:
-Expanded packaging in digi-pak with 16-pa! ge booklet
-CD: Standard album track listing plus 2 bonus live tracks 'Down With The Sickness' & 'Stricken'
-DVD: 'Decade Of Disturbed' (documentary) and Disturbed 'Dissected' (band showing/teaching fans to play tracks):
-Dan - Intro to the Asylum, Asylum, Another Way To Die, The Animal
-Dan/John - Stricken, Indestructible, Inside The Fire, The Night, Haunted
We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate ! bar; and upstairs, Briony's migraine-stricken mother Emily kee! ps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....
The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy dr! ives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwanâs bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeperâs son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differen! ces, they are powerfully attracted to each other, and just as ! their re lationship begins Robbie is tragically forced away due to false accusations from Ceciliaâs younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but itâs clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot ! with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini
Stills from Atonement (click for larger image).
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