Wednesday, November 23, 2011

Bullet

  • BulletMickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action f
A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slow! ly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer Two killers are hiding where no one will ever find them...behind their badges! Tupac Shakur (in hisfinal and most riveting performance) and James Belushi are two corrupt police detectives caught in a dangerous web of deceit in this "gritty, smart and tough" (CBS-TV) action thriller that will hold you in its grip from start to finish. Detectives Divinci (Belushi) and Rodriguez (Shakur) practice their own deadly brand of street justice: They set up drug deals, seize the money for themselves and then murder the dealers. It's a lucrative racket that has worked without a hitch for months. But when they discover that their latest victim was an under! cover officer with the Drug Enforcement Agency, the two corrup! t cops a re forced to initiate a dangerous scheme to save their own lives. And as their "foolproof" plan begins to spin madly out of control, Divinci and Rodriguez are trapped in a tornado of suspicion, betrayal and murder in which they can trust no one...not even each other.A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slowly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the! lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer When their friend Cookie o.d.'s, best buddies and musicians Spoon (Tupac Shakur) and Stretch (Tim Roth) decide it's time to kick their drug habit by putting themselves into detox. But they soon discover that the road to rehab is paved with reams of social service red tape. Spoon and Stretch are just trying to stay alive until they can get treatment. But, between the angry drug dealers, the cops who have mistaken them for murderers, and the people with forms and clipboards, this turns into a task of epic proportions. Thus enfolds their comic adventure to sobriety- a hilarious, action-packed journey from A to Z and back again. Starring: Tim Roth, Tupac Shakur, Thandie Newton Directed by: Vondie Curtis-HallBritish actor Tim Roth and the rapper Tupac Shakur are an unexpectedly charismatic and refreshing duo in this off-beat buddy movie. Closer than two brot! hers, these junkie musicians vow to kick their habits after a ! soul-sha ttering New Year's Eve. Gridlock'd is fueled by characterization, of which there is plenty, as the two play off one another with such finesse you would never know Shakur had been a relative novice to the acting profession. Off-beat humor lightens a bleak reality as these outcasts run smack against a brutal bureaucracy. Except for a tired subplot meant to jazz up the action, director Vondie Curtis-Hall employs an inventive approach in this sadly ignored theatrical release. --Rochelle O'Gorman Bullet Mickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action films-powerful, violent and real. Mickey Rourke is Butch "Bullet" Stein and th! e late Tupac Shakur is Tank in this stylish, Julien Temple-directed crime drama. Narrative is secondary to atmosphere in the violent, yet sensitive tale of an ex-con (Rourke) attempting to adjust to life on the outside. The minute Bullet emerges from the pen, however, the blood and profanity begin to flow just as freely as the references to Dali and Picasso (his younger brother is an artist). His drug problem is bad enough, but the biggest threat comes from the Kangol-sporting, eye-patched Tank, who intends to get his revenge for the eye Bullet took from him. Classical music and opera, meanwhile, bump up against hip-hop and Barry White. Despite the billing, this is Rourke's show all the way and Tupac's part is quite small in comparison. Ted Levine (The Silence of the Lambs) and Adrien Brody (The Pianist) star as Bullet's eccentric brothers. --Kathleen C. Fennessy

Tuesday, November 22, 2011

Goodbye Solo Korean Drama Dvd with English Subtitle NTSC All region code 4 dvds

  • 4 dvds
One man is filled with hope for a new life in America. The other is convinced there is nothing left to live for. Together, this odd couple will embark on a journey that will change them both forever. From acclaimed director Ramin Bahrani (CHOP SHOP) comes a powerful story of friendship and forgiveness that earned rave reviews and won the International Critics Prize at the Venice Film Festival.A conversation with Jake Tapper of ABC News || A conversation about the play "God of Carnage" with James Gandolfini; Hope Davis; Jeff Daniels and Marcia Gay Harden || A conversation about the film "Goodbye Solo" with writer and director Ramin Bahrani; and actors: Souleymane Sy Savane and Red WestThe main character, Kim Min-ho (played by Chun Jung Myung), was born into a family of a business tycoon but his family turned away from him because he was an illegitimate child. While having a hard time b! ecause of her mother's re-marriages, Chung Soo-hee (played by Yoon So-yi) falls in love with Min-ho, who turns out to be a friend of her boyfriend, Yoo Ji-ahn (played by Lee Han). Frivolous Choi Mi-ri (played by Kim Min Hee) loves timid gangster Kang Ho-chul (played by Lee Jae-ryong), and agonizes a lot over her lack of self-confidence. Oh Young-sook (played by Bae Jong-ok) calls herself "crazy" and disguises herself in a lie. All these people are linked together by the mute owner of an eatery in the neighborhood, an old woman named Mi-young (played by Na Moon-hee).

Absolute Power [Blu-ray]

  • ABSOLUTE POWER BLU-RAY (BLU-RAY DISC)
Who will believe the word of a career thief and ex-con who was on scene when a woman is killed â€" and that the man responsible is the U.S. President? Clint Eastwood, Gene Hackman and Ed Harris headine a razor-edged suspense tale.Director Clint Eastwood's 1997 box-office hit stars himself as Luther Whitney, a highly skilled thief who finds himself in the wrong place at the wrong time, witnessing the murder of a woman involved in a secret tryst with the U.S. president (played by Gene Hackman). Determined to clear his name, Whitney cleverly eludes a tenacious detective (Ed Harris) while investigating a corruption of power reaching to the highest level of government. Adapted by veteran screenwriter William Goldman from David Baldacci's novel, this thriller balances expert suspense with well-drawn characters and an intelligent plot that's just a pounding he! artbeat away from real White House headlines. Absolute Power features the great Judy Davis in a memorable supporting role as the White House chief of staff who desperately attempts to cover up the crime. --Jeff Shannon

Frontrunners

  • FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country s most prestigious public high schools: Stuyvesant High School in New York City. Follow 4 charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates fa
FRONTRUNNERS - DVD MovieCaroline Suh’s directorial debut, Frontrunners, is a charming, candid, and almost scary glimpse into the advanced levels of student sophistication in America’s top high schools. In this case, Suh, who has copious experience as a documentary producer, put her documentary research skills to use at Stuyvesant High School in Manhattan, an elite school in which students who aren’t admitted to Top Ten colleges are considered total rejects by their peers. Frontrunner! s charts the arc of the student government elections, starring four kids who want the presidency. Mike Zaytsev, Hannah Freiman, Alex Leonard, and George Zisiadis each select running mates and crave victory with varying degrees of conviction. The documentary is comprised of interview footage with the candidates at school, at home, and sometimes features the parents of the chosen few, expressing concerns about the pressures that are placed upon their children to succeed. The levels of competition are astounding; one scene capturing their "televised" debates shows how this school simulates real-life for hardcore training. Though the interviews are often hilarious, what really carries the film is ample footage of the candidates planning and enacting strategies. George, who seems to have been born to become president, cooks up political platforms as naturally as a thuggish student may shoot spitwads onto the classroom’s ceiling. Hannah, whose office bulletin board commemor! ates her trips to film festivals and theater events, is extrem! ely well -poised in front of a camera, resulting from what some may attribute to having been privy from her early years to a cultured lifestyle. So, as the presidential race unfurls, one sees not only a cutthroat teenage contest but also the ways in which students are shaped by their home lives. Frontrunners should provide proof to parents and public schools alike that youth will indeed succeed if one sets expectations and opportunity high. Bravo to Oscilloscope Laboratories (owned by Beastie Boy Adam Yauch) for releasing this humorously inspiring film. --Trinie Dalton

The Devil's Miner Spanish Dvd Activity Packet

  • A perfect companion to The Devil's Miner DVD!
  • Increases vocabulary
  • ©2010. English with Spanish.
  • Reproducible. Beginning level.
In this classic book, Michael Taussig explores the social significance of the devil in the folklore of contemporary plantation workers and miners in South America. Grounding his analysis in Marxist theory, Taussig finds that the fetishization of evil, in the image of the devil, mediates the conflict between precapitalist and capitalist modes of objectifying the human condition. He links traditional narratives of the devil-pact, in which the soul is bartered for illusory or transitory power, with the way in which production in capitalist economies causes workers to become alienated from the commodities they produce. A new chapter for this anniversary edition features a discussion of Walter Benjamin and Georges Bataille that extends Taussig’s ! ideas about the devil-pact metaphor.
Directed by long-time collaborators Kief Davidson and Richard Ladkani, THE DEVIL'S MINER is a moving portrait of two brothers--14-year-old Basilio and 12-year-old Bernardino--who work deep inside the Cerro Rico silver mines of Bolivia. Through the children's eyes, we encounter the world of devout Catholic miners who sever their ties with God upon entering the mountain, where it is an ancient belief that the devil, as represented by statues constructed in the tunnels, determines the fate of all who work within the mines, which date back to the sixteenth century.

As we come to know the brothers, we learn their fears and hopes for their future, and occasionally glimpse their childlike souls peeking through their stoic faces. Raised without a father, Basilio must work to support their family and to go to school and study, so that he and his family can one day leave the mines. Working 24 hour shifts, eating cocoa leaves to ward off! hunger and drowsiness, Basilio then walks to the city to atte! nd a sch ool, where he is ostracized because he is a working miner. Yet, through it all, Basilio and his family retain a dignity and courage that is inspiring.

The filmmakers bring alive the depths of this mining community and the beauty of the many customs and traditions of the mining town filled with superstition. Each day as they enter the shafts, the Catholic miners bring offerings to carved statues called "Tio", the devil who determines the fate of all who work there. They stage large-scale rituals and sacrifices at the entrance to the mine, and carnivals where they parade through the streets. All of this is their effort to appease the "mountain that eats men alive" where millions of men have died in accidents and of disease and the life expectancy of workers is only 35-40 years old.

A prime example of how social issue films can make a difference, THE DEVIL'S MINER has brought attention to this situation and has encouraged educational and community programs in th! e US, Europe and Bolivia that are helping to get children out of the mines and into schools.Basilio Vargas is a veteran mine worker. He's been employed by La Cumbre silver mine for four years. It's one of hundreds in Bolivia's Cerro Rico, known locally as "the mountain that eats men." Basilio is 14. He's often joined by 12-year-old brother Bernardino. It isn't unusual for the boys to work 12-hour shifts--even double shifts of 24 hours. His father died when he was two and Basilio is the primary breadwinner (his younger sister even calls him "papa"). Outside the mine, Basilio is Catholic. Inside, however, he puts his faith in the Devil, AKA "Tio." Basilio, boss Saturnino, and the other miners believe Tio controls their fate. Basilio's dream is to earn enough money to get an education and to leave the mines for good. Directed by Kief Davidson and Richard Ladkani and narrated by the subject himself, The Devil's Miner doesn't look at child labor from several points of vie! w, but almost exclusively from that of the child. While it may! lack co ntext, the film brings Basilio's world--both above and below ground--into stark relief. He's a well-spoken guide. Basilio is also a realist who knows what will happen if he doesn't escape: he'll be dead by 40 from lung disease or a mine collapse, just like an estimated eight million Cerro Rico workers before him. As Saturnino says about his young charges, "It's an incredible sadness." He would know--Saturnino was once a kid just like Basilio. --Kathleen C. FennessyIn this classic book, Taussig explores the social significance of the devil in the folklore of contemporary plantation workers and miners in South America. A new chapter for this anniversary edition features a discussion of Walter Benjamin and Georges Bataille that extends some of the ideas discussed in the original text.In this classic book, Taussig explores the social significance of the devil in the folklore of contemporary plantation workers and miners in South America. A new chapter for this anniversary! edition features a discussion of Walter Benjamin and Georges Bataille that extends some of the ideas discussed in the original text.THE DEVILS MINER ACTIVITY PACKET A perfect companion to the video with 15 or more reproducible activities. Each activity supports vocabulary reinforcement, vocabulary usage, and cultural understanding. Reproducible, beginning level

Grand Canyon: The Complete Guide: Grand Canyon National Park

  • ISBN13: 9780982517215
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Filled with beautiful color photographs, this award-winning guidebook reveals the best of America's most famous national park. Grand Canyon: The Complete Guide equips travelers with detailed maps, travel tips, and extensive listings for lodging, camping, and sightseeing. From river rafting to mule rides, Grand Canyon is filled with adventures. But without careful planning, a trip there can be overwhelming. This guide divides Grand Canyon into sections--the South Rim, North Rim, Colorado River, and Havasu Canyon--and offers invaluable tips on enjoying the park's highlights while avoiding the crowds. The park's most popular hiking trails are covered in detail, and outfitters for backpacking, ! mule rides, and whitewater rafting are listed. Carefully researched chapters about the park's history, geology, and wildlife take readers behind the scenes, providing fascinating context for one of earth's greatest natural wonders.

Crimson Rivers 2: Angels of the Apocalypse Poster Spanish 27x40 Jean Reno Beno?t Magimel

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Crimson Rivers 2: Angels of the Apocalypse Spanish Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Jean Reno is back in action as Commissioner Niemans. The body he found in a monastery seems to point to a ritualistic sacrifice and a portent of something strange to come. At the same time, young police captain Reda finds a man in agony who's an exact DNA match for Christ. Reda quickly finds out his case is directly linked to Niemans, but is the Apocalypse really about to begin as all signs seem to indicate?French sensation The Crimson Rivers was a serial killer thriller with a difference--it was genuinely t! hrilling. It was also pretty disturbing, but Jean Reno (The Professional) brought some light to the darkness with his sly performance as dog-phobic detective Niémans. Fortunately, Reno has returned in this highly stylized Luc Besson-penned sequel. Vincent Cassell has not, but Benoît Magimel (The Piano Teacher), as new partner Reda, makes for a decent replacement. Alas, Olivier Dahan isn't in the same league as Matthieu Kassovitz and the story line, which has something to do with the Last Supper, the Maginot Line, and gravity-defying killer monks, is even more convoluted than before. Then there's Johnny Hallyday (The Man on the Train) as a mysterious one-eyed man and Christopher Lee (The Lord of the Rings) as a bad German dude. It's all a little ridiculous, but entertaining nonetheless, and the chase sequences are a treat. --Kathleen C. FennessyCrimson Rivers 2: Angels of the Apocalypse reproduction poster print

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Dogville

  • DVD Details: Actors: Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr, Paul Bettany
  • Directors: Lars von Trier
  • Format: Closed-captioned, Color, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: August 24, 2004; Run Time: 178 minutes
Recording star bjork is miraculous as selma a factory worker in ruarl america and single mother who is losing her eyesight from a hereditary disease. Determined to protect her 10-year-old son from the same fate selma is saving her money to get him an operation. Studio: New Line Home Video Release Date: 02/08/2005 Starring: Catherine Deneuve David Morse Run time: 141 minutes Rating: R Director: Lars Von TrierMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were tho! se who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?

Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark! is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will ju! stice prevail?

Von Trier's passionate, provocative film ru! ns all o ur emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then res! ent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to the movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer

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