Saturday, January 7, 2012

Assisted Living

  • "Assisted Living" chronicles a day in the life of Todd, a janitor who spends his days smoking pot and interacting with the residents for his own entertainment. Todd's detachment from his surroundings is compromised only by his unlikely friendship with Mrs. Pearlman, a resident who begins to confuse him with her son. On this particular day, Todd must choose whether or not to play the part. "Ass

The demand for residential communities for seniors rises as the U.S. population continues to age. This growth means that new administrators and staff members often are learning by trial and error the complicated task of delivering high-quality and consistent services to elderly persons. While many new facilities have been successful, others have been plagued by a variety of administrative and financial difficulties. Senior Living Communities remains the definitive guide to managing these faci! lities.

In this thoroughly updated and revised edition, Benjamin W. Pearce offers a wealth of sound advice and practical solutions. He discusses resident relations, operating methods, staffing ratios, department management, cost containment, sales and marketing strategies, techniques of financial analysis, budgeting, and human resources. New chapters address issues particular to dementia care and architecture, and the appendix contains a department-by-department audit of senior living operations.

From the front lines to the boardroom, this book should be a part of every decision-making process for improving and maintaining assisted living, congregate, and continuing care retirement communities.

Newly revised and updated, this acclaimed, complete guide delivers what people need to know to help an aging loved one--a must for all caregivers!

Written by two distinguished psychologists for spouses, siblings, and adult children, this frank and highly ! useful guide is meticulously organized to provide answers, dis! pel myth s, anticipate needs, and provide strategies for dealing with every aspect of in-home and facility care.

With chapters on choosing the right placement setting, navigating the bureaucracy of today's eldercare system, and determining how best to pay for services, this revised edition includes new information on:

*diagnosis
*interventions
*insurance, legal, and policy matters
as well as updated checklists, phone and Internet lists, budget worksheets, and questionnaires.

"Since there are few books available on this topic that are this comprehensive and well-organized, this book should be of value to anyone interested in the topic of assisted living facilities in the U.S." Score: 98, 5 stars

--Doody's

"This book is much needed. It offers a practical approach to key issues in the management of an assisted living facility It is especially pleasing to see the long needed collaboration between nursing, social ser! vices, and education that is reflected by the training of the authors. This book is an important milestone for the field of aging and assisted living administration."

Robert Newcomer, PhD,
Department of Social and Behavioral Sciences
University of California-San Francisco
(From the Foreword)

Assisted Living Administration and Management contains all the essentials for students new to the field, as well as nuanced information for professionals looking to fine-tune their skills. This comprehensive resource provides deeper insights to address the ever-changing world of the assisted living community, containing effective best practices and model programs in elder care. The authors provide the necessary tools and tips to maximize the overall health, safety, and comfort of residents.

This landmark reference, for assisted living and senior housing administrators as well as graduate students, contains the most practical guidel! ines for operating assisted living facilities. It offers advic! e on hir ing and training staff, architecture and space management, and more. This multidisciplinary book is conveniently organized to cover the most crucial aspects of management, including organization; human resources; business and finance; environment; and resident care.

Key Features:

  • Highlights the most effective practices and model programs in elder care that are currently used by facilities throughout the United States
  • Contains useful details on business and financial management, including guidelines for marketing, legal issues and terms, and public policy issues
  • Includes chapters on environmental management, with information on accessibility, physical plant maintenance, and disaster preparedness
  • Emphasizes the importance of holistic, resident care management, by examining the biological, psychological, and social aspects of aging
  • Enables students to evaluate, analyze, and synthesize information on how to operate assisted li! ving facilities

Assisted living is the fastest-growing alternative to skilled nursing care for frail older persons in the United States. The expectations, settings, and missions of these residences are varied, making it difficult for prospective residents and their families to anticipate what it would be like to live in them. This book is a unique portal into the real world of assisted living and the key issues facing consumers, providers, and policy makers.

Drawing on in-depth interviews with residents, their family members, staffers, and administrators, Inside Assisted Living opens the window on day-to-day life in six different types of assisted living residence. From "Miss Helen at Valley Glen Home" to "Mr. Sidney at Laurel Ridge," the detailed profiles of individuals show the commonalities among the residences while highlighting the positive and negative aspects of each. The voices of those living, visiting, and working in the homes clarify! the important local (social relations, staff dynamics, leader! ship) an d national (funding, regulation, aging-in-place) challenges presented by assisted living.

Introductory and concluding chapters synthesize new findings that cross the six settings and reflect issues vital to all participants. The book also features an appendix detailing the research process involved in creating the profiles.

ASSISTED LIVING - DVD Movie

Honey and Spice: Sensual and Fierce Burlesque

  • HONEY & SPICE:SENSUAL & FIERCE BURLESQUE, WITH JO (DVD MOVIE)
A small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Christina Aguilera Run time: 118 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks a! bout in an undefined role that might well have been filmed mon! ths afte r everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonA small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Run time: 119 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame! who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? S! eriously, you didn't see that coming? Writer-director Steve An! tin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks about in an undefined role that might well have been filmed months after everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonBurlesque, the soundtrack to the Sony Pictures film Burlesque, starring Christina Aguilera and Cher. The highly anticipated soundtrack features new recordings performed and co-written by five time Grammy winner Christina Aguilera, with production by ! Tricky Stewart, Linda Perry and Ron Fair and songwriting by Claude Kelly, Tricky Stewart and Sia. The soundtrack also features two brand new tracks performed by the legendary Cher, including "You Haven't Seen The Last Of Me", a powerful Diane Warren penned ballad which was produced by Matt Serletic. This marks Cher's first new original song in seven years as well as her first movie musical. The soundtrack also includes remakes / covers of classic songs such as Etta James' "Something's Got A Hold On Me" and "Tough Lover" and Mae West's "A Guy What Takes His Time" all performed by Christina Aguilera.Burlesque Beat is not just another aerobic exercise program, it combines exciting dance moves with exotic stretches to create an all over cardio and body sculpting workout. Burlesque Beat is a dance-inspired fitness class full of fun achievable moves designed to turn you into a vibrant, sexy woman. Rodney James, one of Australia's most respected, passionate and inspirational fitne! ss instructors, shows you the body-shaping benefits of dance w! hich he uncovered during a successful international performance career. His enthusiasm and true passion for dance dissolves doubts and self-consciousness, enabling the most timid individual to move more confidently than ever. Rodney s video instruction has a room full of beautiful models to demonstrate to you all the sexy moves you ll need to know.The Honey & Spice instructional video explores two styles of burlesque: Sensual and Fierce. Burlesque is a sophisticated theatrical art with a long history, many subgenres and a wide range of flavors from classic to neo-burlesque. Burlesque combines elements of acting, modeling and dance. It cultivates confidence, bold femininity, and a sense of humor.

Created by Jo Weldon, the Headmistress and Founder of the New York School of Burlesque, the program features two burlesque routines set to authentic burlesque music. The emphasis of both routines is on understanding the art of concealing and revealing. While burlesque has its own cl! assic moves and steps, any burlesque routine can be personalized by adding steps from your favorite form of dance or from other variety arts.

The Honey routine is a tantalizing, sensual dance, performed with a feather boa. It is playful, funny, and very graceful. You will learn how to work with the boa, how to peel off your gloves, how to interact with your audience, and how to be sexy and confident on stage.

The Spice routine is based on the burlesque staple, Bump & Grind. It is high-energy, sexy, rhythmic, and glamorous. You will learn different types of bumps, various burlesque walks, and classic burlesque poses. In the Spice routine you will also learn how to project the burlesque attitude, that sexy confidence you need to amaze and charm any audience.

Jo demonstrates the routines and then breaks down each section step-by-step. Every routine consists of 5 combinations. The DVD chaptering allows you to navigate easily between combinations, both! in the demonstrations and in the breakdowns, for easy review ! and prac tice.

Additional technique and practice sections include a warmup, a sensual burlesque movement series, and the basics of bump & Grind. Jo also discusses burlesque costumes and offers tips for using certain special items of clothing as props: You will learn how to make a theatrical event out of peeling off your stockings and gloves, and taking off your corset. Special DVD Extras demonstrate the basics of Tassel Twirling and show different types of pasties and how to attach them.

Both routines in this program are based on the classic burlesque [striptease] tradition. Jo teaches moves she learned from women who performed burlesque in the 1930s through the 1960s. Jo s fascination with classic burlesque brought her to study with Dixie Evans, Sherry Britton, Tura Satana, Satan's Angel, Dee Milo, Toni Elling, and other legends of burlesque. Jo Weldon is the Co-Executive Director of Education for The Burlesque Hall of Fame, Las Vegas, as well as the Coordinator of! The Burlesque Master Class at Coney Island, where the best of New York's amazing neo-burlesque performers come together to present their most outrageous and iconoclastic acts.

Flushed Away

  • All New Slug Songs
  • Hours of Interactive Fun with DVD-Rom features.
  • 12 Games and Challenges.
  • Soccer Showdown - Belched Away - Sludge Buster
  • Ice Maker - Disco Le Frong - And Many More
Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is rather rudely evicted from his Kensington flat when he is flushed down into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely! hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is v! ery distinctive. Like Nick Park's Chicken Run and Wa! llace an d Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really wor! th the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts from Flushed Away

  • In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromitâ! €™s head is a pencil top in the Jammy Dodger, the penguin from! Wall ace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.!

Stills from Flushed Away (click for larger image)





Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is! rather rudely evicted from his Kensington flat when he is flu! shed dow n into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the unde! rworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride l! oaded with inside jokes and enough crude humor to earn a PG ra! ting, an d the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts! from Flushed Away

  • In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker b! us: Ice chest, retro flipping numbers alarm clock, bike la! mp, buck le, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

Stills from Flushed Away (click for larger image)





Limited Edition is packaged in clear case with blue gel-pack that makes it appear the disc and characters are underwater.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French me! rcenary Le Frog (Jean Reno).

While technically Flushed! Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts from Flushed Away

  • In Tabitha's ro! om, there are a variety of dolls from previous DreamWorks Anim! ation fi lms, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. ! For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

Stills from Flushed Away (click for larger image)






Friday, January 6, 2012

Drumline (Full Screen Edition)

  • Full Screen Edition
  • Bonus Features
Halftime is party time in this high-energy comedy about a gifted street drummer (Nick Cannon) who snares the top spot in a university marching band - but quickly discovers it takes more than talent to succeed. Featuring a hip-hop soundtrack and dazzling dance moves, Drumline "shakes, rattles and rolls the house!" (Washington Post)Once you've seen Drumline, halftime shows will become works of art. This formulaic yet surprisingly captivating movie honors the military precision of college football marching bands, those battalions of eager, sternly disciplined brass sections, drummers, and fly girls who turn halftime shows into well-oiled Vegas variety acts on steroids. Devon (played by Will Smith protégé Nick Cannon) is a cocky Brooklyn kid with a snare-drumming scholarship to (fictional) Atlanta A&T University. He can't read music (he li! ed on his application) and his attitude sucks, but he's the best natural drummer the college has ever had, so he quickly rises through the marching band ranks. The school year brings Devon the obligatory girlfriend (Zoë Saldana, smart and charming); clashes with his old-school band director (Orlando Jones); and well-earned redemption at the championship marching band showdown. No surprises here, but great chemistry all around, and a fantastic, positive role-model showcase for a musical form that has evolved far beyond the main street parades of Smalltown, U.S.A. --Jeff Shannon

Saturday, December 31, 2011

Avatar (Three-Disc Extended Collector's Edition)

  • Condition: New
  • Format: DVD
  • DVD; Special Extended Version; Color; Dolby; DTS Surround Sound; Dubbed; NTSC; Subtitled; Surround S
A reluctant hero. An epic journey. A choice between the life he left behind and the incredible new world he’s learned to call home. Return to James Cameron’s Avatarâ€" the greatest adventure of all time. Please note: This edition of the film is not in 3D.

Versions of Avatar on Blu-ray, DVD, and Video On Demand

Edition Format Release Date Special Features
A! vatar (Extended Collector's Edition) Three Blu-ray Discs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition) Three DVDs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatr! ical Edition) Digital Purcha! se Apr. 22, 2010 None
Avatar (Original Theatrical Edition) Digital Rental May 9, 2010 None
Avatar (Original Theatrical Edition) Two-disc Blu-ray/
DVD combo
Apr. 22, 2010 None
Avatar (Original Theatrical Edition) DVD Apr. 22, 2010 None


Stills from Avatar (Click for larger image)


Aft er 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's co! mplicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-satura! ted universe only the movies could create. --Robert Horton!

Please note: This edition of the film is not in 3D.

Versions of Avatar on Blu-ray, DVD, and Video On Demand

Jake Sully  Pandora Military Base   Navi Team
Sully and Neytiri Trudy Chacon Neytiri
Edition Format Release Date Special Features
Avatar (Extended Collector's Edition) Three Blu-ray Discs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Intern! et connection)
Avatar (Extended Collector's Edition) Three DVDs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition) Digital Purchase Apr. 22, 2010 None
Avatar (Original Theatrical Edition) Digital Rental May 9, 2010 None
Avatar (Original Theatrical Edition) Two-disc Blu-ray/
DVD combo
Apr . 22, 2010 None
Avatar (Original Theatrical Edition) DVD Apr. 22, 2010 None


Stills from Avatar (Click for larger image)


Jake Sully  Pandora Military Base   Navi Team
Sully and Neytiri Trudy Chacon Neytiri


KIDS FIRST! Review: Director/screenwriter/producer James Cameron brings his science fiction roots to DVD with the award-winning film, "Avatar." The almost three-hour epic is considered by many as the most beautiful movie ever produced thanks to its groundbreaking 3-D and graphics technology. Set in the far future, Jake Sully (Sam Worthington), travels to Pandora, a lush, jungle-covered extraterrestrial moon and home to a sen! tient humanoid race, the Na'vi. The 10-foot tall, blue-skinned! Na'vi f ight when a human corporation attempts to remove the indigenous people from their native lands. Human scientists create genetically-bred human-Na'vi hybrids known as Avatars to overcome the fact that they can’t breathe Pandora air. Jake participates in this program and encounters many dangers and beauties on Pandora as he scouts around. “Avatar” exhibits cinematographic and artistic excellence and creates interest in issues such as the environment. KIDS FIRST! Child Juror Comments: This DVD had great cinematography and amazing visual effects. One of my all-time favorite parts of the film was when Jake was walking through the forest of Pandora - everything lit up and looked amazing. The movie had a great soundtrack. It had a new age feel that felt like it was inviting you into a new world. It made the whole thing seem tangible, which is great. I wanted to be part of that world. The acting was great, too! You could tell which characters were bad and which were good with ! some bad sides. Overall one of the best movies I've seen. The actors roles fit their appearance, and there was a lot of foreshadowing and hinting throughout the movie.After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the plane! t and its inhabitants, Jake naturally begins to take a liking ! to the N a'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector’s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. And that's just what's on the first Blu-ray disc. The set's bonus feature run more than eight hours and include over 45 minutes of deleted scenes; actor's screen tests; on-location footage; feature-length documentaries on the film's groundbreaking production; an interactive scen! e-deconstruction feature that lets you explore different level! s of pro duction for 17 scenes; a comprehensive guide to the world of Pandora; and more. The greatest adventure of all time just got bigger and better.

Here's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although h! e's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central pl! ot. (The overextended "take that, Michael Bay" final battle se! quences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Versions of Avatar on Blu-ray and DVD

Edition Format Release Date Special Features
Avatar (Extended Collector's Edition) Three Blu-ray Discs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus ! features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition) Three DVDs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition) Two-disc Blu-ray/
DVD combo
Apr. 22, 2010 None
Avatar (Original Theatrical Edition) DVD Apr. 22, 2010 None


Contents of the Blu-ray Extended Collector's Edition
What follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.

Image of the product contents as displayed on the back of the box

Disc 1: Three Movie Versions
  • Original Theatrical Edition (includes family audio track with objectionable language removed)
  • Special Edition Re-Release (includes family audio track with objectionable language removed)
  • Collector’s Extended Cut with 16 additional minutes, including alternate opening on earth

  • Disc 2: Filmmaker's Journey
  • Over 45 minutes of never-before-seen deleted scenes
  • Capturing Avatar: Feature-length documentary covering the 16-year filmmakers’ journey, including interviews with James Cameron, Jon Landau, cast and crew
  • A Message from Pandora: James Cameron’s visit to the Amazon rainforest
  • The 2006 art reel: Original pitch of the Avatar ! vision
  • Brother termite test: Original motion capture t! est
  • The ILM prototype: Visual effects reel
  • Screen tests: Sam Worthington, Zoë Saldana
  • Zoë’s life cast: Makeup session footage
  • On-set footage as live-action filming begins
  • VFX progressions
  • Crew film: The Volume

  • Disc 3: Pandora's Box
  • Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template level, and final level with picture-in-picture reference
  • Production featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na’vi Costumes, Speaking Na’vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zea! land
  • Avatar original script
  • Avatar screenplay by James Cameron
  • Pandorapedia: Comprehensive guide to Pandora
  • Lyrics from five songs by James Cameron
  • The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na’vi, The Avatars, Maquettes, Na’vi Weapons, Na’vi Props, Na’vi Musical Instruments, RDA Designs, Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)

  • BD-Live Extras
  • BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time: Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang,! Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alons! o; speak ing Na’vi rehearsal footage; Weta Workshop: walk-and-talk presentation


  • Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector’s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. The set's bonus feature run more than three hours and include over 45 minutes of deleted scenes and a feature-length documentary on the film's groundbreaking production. The greatest adventure of all time just got bigger and better.

    Versions of Avatar on Blu-ray and DVD

    Edition Format Release Date Special Features
    Avatar (Extended Collector's Edition) Three Blu-ray Discs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
    Avatar (Extended Collector's Edition) Three DVDs Nov. 16, 201! 0 Three versions of the mov! ie inclu ding the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
    Avatar (Original Theatrical Edition) Two-disc Blu-ray/
    DVD combo
    Apr. 22, 2010 None
    Avatar (Original Theatrical Edition) DVD Apr. 22, 2010 None


    Contents of the DVD Extended Collector's Edition

    Image of the product contents as displayed on the back of the box

    Review of the Original Theatrical Edition
    Here's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

    After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable abou! t greedy colonizers (that would be mankind) messing up the lus! h tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of i! ts point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert HortonHere's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

    After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to! trump all previous sci-fi epics. Set in the future on a dista! nt plane t, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn betw! een his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

    Versions of Avatar on Blu-ray and DVD

    !
    Edition Format Release Date Special Features
    Avatar (Extended Collector's Edition) Three Blu-ray Discs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
    Avatar (Extended Collector's Edition) Three DVDs Nov. 16, 2010 Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus featur! es including documentaries and over 45 minutes of deleted scenes
    Avatar (Original Theatrical Edition) Two-disc Blu-ray/
    DVD combo
    Apr. 22, 2010 None
    Avatar (Original Theatrical Edition) DVD Apr. 22, 2010 None


    Cont ents of the Blu-ray Extended Collector's Edition
    What follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.

    Image of the product contents as displayed on the back of the box

    Disc 1: Three Movie Versions
  • Original Theatrical Edition (includes family audio track with objectionable language removed)
  • Special Edition Re-Release (includes family audio track with objectionable language removed)
  • Collector’s Extended Cut with 16 additional minutes, including alternate opening on earth

  • ! Disc 2: Filmmaker's Journey
  • Over 45 minutes of never-before-seen deleted scenes
  • Capturing Avatar: Feature-length documentary covering the 16-year filmmakers’ journey, including interviews with James Cameron, Jon Landau, cast and crew
  • A Message from Pandora: James Cameron’s visit to the Amazon rainforest
  • The 2006 art reel: Original pitch of the Avatar vision
  • Brother termite test: Original motion capture test
  • The ILM prototype: Visual effects reel
  • Screen tests: Sam Worthington, Zoë Saldana
  • Zoë’s life cast: Makeup session footage
  • On-set footage as live-action filming begins
  • VFX progressions
  • Crew film: The Volume

  • Disc 3: Pandora's Box
  • Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template l! evel, and final level with picture-in-picture reference
  • !
  • Prod uction featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na’vi Costumes, Speaking Na’vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zealand
  • Avatar original script
  • Avatar screenplay by James Cameron
  • Pandorapedia: Comprehensive guide to Pandora
  • Lyrics from five songs by James Cameron
  • The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na’vi, The Avatars, Maquettes, Na’vi Weapons, Na’vi Props, Na’vi Musical Instruments, RDA Designs, ! Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)

  • BD-Live Extras
  • BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time: Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang, Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alonso; speaking Na’vi rehearsal footage; Weta Workshop: walk-and-talk presentation



  • Death Defying Acts

    • During Harry Houdini's tour of Britain in 1926, the master escapologist enters into a passionate affair with a Scottish psychic. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019815512 UPC: 796019815512 Manufacturer No: 81551
    During Harry Houdini's tour of Britain in 1926, the master escapologist enters into a passionate affair with a Scottish psychic.

    Stills from Death Defying Acts (Click for larger image)


    Death Defying Acts would more aptly be titled Houdini’s Whirlwind Romance as it focuses less on the famed magician’s skills and more on what kind of secret lovers he may have had. In this historical drama, ravishing con-artis! ts, Mary McGarvie (Catherine Zeta-Jones), and daughter, Benji ! (Saoirse Ronan), play two sharp girls ready to take Houdini (Guy Pearce) for a ride. Set in 1920s Scotland, the plot centers on a contest Houdini hosts in Edinburgh to find a psychic medium who can channel his deceased mother. Mary, tired of pick-pocketing to stage fake magic shows, desperately wants Houdini’s $10,000 cash prize and auditions successfully for the role of (real) medium. From there, passions flare up as they negotiate how much of their magic is sheer trickery. Director Gillian Armstrong’s (Little Women) rendition of Houdini’s life depicts him as a regular joe struggling to convince his pragmatic business manager, Sugarman (Timothy Spall), that magic and science are connected. Scenes in which Houdini trains for and then tests his boundaries and skills during famous theater acts, are highly entertaining and well re-created. Scenes in which McGarvie and her daughter read characters for clues to rig their paranormal hoaxes are equally well-done, and Zeta-Jone! s is gorgeous as a spiritualist. But when Mary and Houdini collide, their definitions of magic turn to mush through Hollywood translation, as something semi-equivocal to faith in love. This unfortunate injection of melodrama in an otherwise smart film cancels out its better parts. Do Houdini fans really want to see him, on screen, grappling with CG angels as he floats, straitjacketed, in his sealed water tank? I doubt it. Still, Death Defying Acts stars Houdini, which automatically makes for some fun. â€"Trinie Dalton

    She Wolves of the Wasteland

    • What do you get when you combine big hair, big guns, big, um personalities! and a serious lack of wardrobe? She-Wolves of the Wasteland, a post-apocalypticic that features women lots and lots of women who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world. Leave your brain behind for this shamelessly sinful sexpl
    A modern throwback to the "B" movie exploitation films of the 50's-70's, mixing beautiful women, fast cars, big guns, nasty tongues, outrageous action, and jaw-dropping eye candy. The movie follows three bad girls, a down-and-out stripper, a drug running killer, and a corporate power broker as they arrive at a remote desert hideaway to extort massive booty from an underworld kingpin.

    Girls, Guns and G-Strings! 

     A Pumped Package of Centerfold Action!!

    The unmistakable formula of Andy Sidaris - beautiful people filmed in exotic locations with an unapologetic amount of explosions, gunplay, and Playboy Playmates all with big budget productions values and did I mention hot girls in sexy outfits?  For the first time own the entire library in one attractive 12 Movie Collection.

    Starring Playboy Playmates & Penthouse Pets:

    Dona Speir

    Julie K. Smith

    Hope Marie Carlton

    Sybil Danning

    Roberta Vasquez

    Julie Strain

    and many more!

     

    Also starring:

    Pat Morita (Karate Kid)

    Erik Estrada (CHIPS)

    Darby Hinton (Daniel Boone)

    Bruce Penhall (CHIPS)

    Steve Bond (General Hospital)

    Danny Trejo (Planet Terror)

    and many more!

     

    This is going to be Fun!

     

    The Dallas Connection

    Starri! ng Bruce Penhall, Mark Barriere, Julie Strain

    (1994) Color Rated R

     

    Day of the Warrior

    Starring Kevin Light, Cristian Letelier, Julie Strain

    (1996) Color Rated R

     

    Do or Die

    Starring Pat Morita, Erik Estrada, Dona Speir

    (1991) Color Rated R

     

    Enemy Gold

    Starring Bruce Penhall, Mark Barriere, Julie Strain

    (1993) Color Rated R

     

    Fit to Kill

    Starring Dona Speir, Roberta Vasquez, Bruce Penhall

    (1993) Color Rated R

     

    Guns

    Starring Erik Estrada, Dona Speir, Roberta Vasquez

    (1990) Color Rated R

     

    Hard Hunted

    Starring Dona Speir, Roberta Vasquez, Bruce Penhall

    (1992) Color Rated R

     

    Hard Ticket to Hawaii

    Starring Ron Moss, Dona Speir, Hope Marie Carlton

    (1987) Color Rated R

     

    Malibu Express

    Starring Darby Hinton, Sybil Danning, Art Metrano

    (1985) Color Rated R

     

    Picasso Trigger

    Starring Steve Bond, Dona Speir, Hope Marie Carlton

    (1988) Color Rated R

     

    Return to Savage Beach

    Starring Julie Strain, Rodrigo Obregon, Julie K. Smith

    (1998) Color Rated R

     

    Savage Beach

    Starring Dona Speir, Hope Marie Carlton, John Aprea

    (1989) Color ! Rated R

     

    Special features:

    Original movie trailer for each movie

    Easter egg introductions from Andy Sidaris 

    • For the first  time all 12 L.E.T.H.A.L. films available in one collection
    • Starring Playboy Playmates and Penthouse Pets along with Pat Morita and Erik Estrada
    • The Andy Sidaris biography available on Hardback from  publisher Heavy Metal Magazine
    • Perfect blend of Bullets Bombs and Babes for the target demographic
    • These films were popular main-stays on cable and premium channels including Cinemax, USA and more!
    Worldwide media sensation Jenna Jameson and Nightmare on Elm Street's Robert Englund star in Zombie Strippers. When a secret government agency lets out a deadly chemo virus causing the reanimation of the dead, the first place to get hit is Rhino's, a hot underground strip club. As one of the strippers gets the virus, she turns into a supernatural, flesh-eating zombie stripper, making her the! hit of the club. Do the rest of the girls fight the temptation to be like the star stripper, even if there is no turning back? Also featuring Roxy Saint (of the Goth band Roxy Saint and the Blackouts) and Ultimate Fighting Champion Tito Ortiz, Zombie Strippers is a sexy, bloody, hilarious good time!Get yourself a snappy title and a couple of marquee names (however disreputable) and you might just snag your no-budget movie a national release--as Zombie Strippers colorfully proves. The names in question belong to porn star Jenna Jameson and Freddie Krueger himself, Robert Englund, both of whom look quite comfortable in this sleazy milieu. As the title suggests (well, "suggests" might be a mild word), there has been an outbreak of the undead in a strip club, with strippers actually improving their onstage antics after they've become zombies. (Given the number of implants on display, it's a wonder the zombies didn't keel over from silicone poisoning.) Englund is ! the proprietor of the place, Jameson is a star dancer, and a c! ouple of actresses in the "nice girl" roles don't have to take their tops off, although almost everybody else does. Writer-director Jay Lee fills the movie with political gags and a bunch of philosophy references (Jameson reads Nietzsche, the locale is Sartre, Nebraska), all of which play like a lame attempt to distinguish his movie as something other than a puerile horror-comedy. Only thing is, when you try to disguise the fact that you've made a puerile horror-comedy, it kind of takes the oomph out of both the horror and the comedy. The political jibes are about as feeble as those in Southland Tales, but at least Zombie Strippers is shorter. Shot on video, it looks atrocious, but perhaps that doesn't matter very much. --Robert HortonIn the tradition of Grindhouse, Kill Bill and Sin City, award winning comic book writer Ed Brubaker (Incognito, The Death of Captain America, Daredevil) teams up with stuntwoman - turned cu! lt star Zoë Bell (Death Proof, Lost) to deliver a stark, stylish pulp thriller about a very bad girl gone "good."

    Eve (Bell) is a sexy assassin who kills without remorse - until one botched hit changes everything. Caught off guard, Eve is stabbed in the head and inadvertently murders a young girl. The blade is removed, but the damage is done: Eve's mind is now filled with visions of past victims. The hunter becomes the haunted and this killing machine is plagued with remorse. Unable to "work," this mob asset has become a liability. Eve's only chance to survive is to track down her ruthless bosses before their new hitman finds her.

    Originally webcast on Crackle.com, Angel of Death co-stars Lucy Lawless (Xena, Princess Warrior, Bedtime Stories, Battlestar Galactica), Doug Jones (Quarantine) and Ted Raimi (Spider Man 3).A mysterious new girl arrives in a posh suburban neighborhood and quickly sets out t! o terrorize the town. As she starts breaking into homes and to! rturing the occupants, they begin to realize that she isn’t just another girl next door.The special effects on director Able Whitman s new
    shlock-horror film just aren t cutting it. Sick of the bad
    reviews from critics and fans alike, Able decides to bring a
    new level of horrific reality to his film set by using actual
    dead bodies, and embarks on a prop-hunting killing spree.What do you get when you combine big hair, big guns, big, um...personalities! and a serious lack of wardrobe? She-Wolves of the Wasteland, a post-apocalyptic classic that features women--lots and lots of women--who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world. Leave your brain behind for this shamelessly sinful sexploitation romp with a plot you won't remember...but plenty of eye candy you won't forget!

    Friday, December 30, 2011

    Gosford Park [Blu-ray]

    • Format: AC-3, Color, DTS Surround Sound, Dubbed, Widescreen, Import
    • Language: English, French
    • Aspect Ratio: 1.85:1
    • Run Time: 137 minutes
    • Actors: Kristin Scott Thomas, Maggie Smith, Michael Gambon
    The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.Gosford Park finds director Robert Altma! n in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious characters ever on screen; K! ristin Scott Thomas is perfectly cold yet sexy as Lady Sylvia,! Sir Wil liam's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn MeadeImport Blu-Ray/Region A Pressing... The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.Gosford Park ! finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious c! haracters ever on screen; Kristin Scott Thomas is perfectly co! ld yet s exy as Lady Sylvia, Sir William's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn Meade

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