Friday, January 13, 2012

Atonement (Full Screen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC
Ian McEwan s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia s childhood friend. But Briony s incomplete grasp of adult motives together with her precocious literary gifts brings about a crime that will change all their lives. As it follows that crime s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority th! at mark it as a genuine masterpiece.Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate ! bar; and upstairs, Briony's migraine-stricken mother Emily kee! ps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy dr! ives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differen! ces, they are powerfully attracted to each other, and just as ! their re lationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot ! with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).













The novel opens on a sweltering summer day in 1935 at the Tallis family’s mansion in the Surrey countryside. Thirteen-year-old Briony has written a play in honor of the visit of her adored older brother Leon; other guests include her three young cousins -- refugees from their parent’s marital breakup -- Leon’s friend Paul Marshall, the manufacturer of a chocolate bar called “Amo” that soldiers will be able to carry into war, and Robbie Turner, the son of the family charlady whose brilliantly successful college career has been funded by Mr. Tallis. Jack Tallis is absent from the gathering; he spends most of his time in London at the War Ministry and with his mistress. His wife Emily is a semi-invalid, nursing chronic migraine headaches. Their elder daughter Cecilia is also present; she has just g! raduated from Cambridge and is at home for the summer, restles! s and ye arning for her life to really begin. Rehearsals for Briony’s play aren’t going well; her cousin Lola has stolen the starring role, the twin boys can’t speak the lines properly, and Briony suddenly realizes that her destiny is to be a novelist, not a dramatist.

In the midst of the long hot afternoon, Briony happens to be watching from a window when Cecilia strips off her clothes and plunges into the fountain on the lawn as Robbie looks on. Later that evening, Briony thinks she sees Robbie attacking Cecilia in the library, she reads a note meant for Cecilia, her cousin Lola is sexually assaulted, and she makes an accusation that she will repent for the rest of her life.

The next two parts of Atonement shift to the spring of 1940 as Hitler’s forces are sweeping across the Low Countries and into France. Robbie Turner, wounded, joins the disastrous British retreat to Dunkirk. Instead of going up to Cambridge to begin her studies, Briony has become! a nurse in one of London’s military hospitals. The fourth and final section takes place in 1999, as Briony celebrates her 77th birthday with the completion of a book about the events of 1935 and 1940, a novel called Atonement.

In its broad historical framework Atonement is a departure from McEwan’s earlier work, and he loads the story with an emotional intensity and a gripping plot reminiscent of the best nineteenth-century fiction. Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class, the novel is a profoundly moving exploration of shame and forgiveness and the difficulty of absolution.From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. Ac! ademy Award® nominee Keira Knightley and James McAvoy lead an! all-sta r cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differences, they are powerfully attracted to each other, and just as their relationship begins Robbie is tragically forced away due to false accusations from Cecilia’s y! ounger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the ! great long tracking shots in film history--is the most memorab! le momen t in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

!

Gracie

  • Meet Gracie Bowen, she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer. on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the so
Now in paperback, AMAZING GRACIE is a moving, funny, and inspirational canine rags-to-riches story. Tears will stain the pages as you read about Gracie, says USA Today. The Chicago Tribune advises, If you're short on inspiration, read Amazing Gracie. You don't have to be obsessed with dogs to love this story (Philadelphia Enquirer), Two paws up (Portland Oregonian), humorous yet poignant (ASPCA Animal Watch). Booklist comments that Dog-loving teens, especially reluctant readers, will eat this up. AMA! ZING GRACIE was nominated as a Young Adult Choice for 2002 by The International Reading Association-proof that it's a great crossover book.

Gracie was a deaf and partially blind albino Great Dane with a delicate constitution and a penchant for small miracles. Dan is the man-sad over the loss of his last dog and trapped in a dead-end job-who adopted her. Three Dog Bakery is the burgeoning and much-publicized chain of canine bakeries that, inspired by Gracie, Dan and his friend Mark founded. A love story, AMAZING GRACIE describes how Dan saves Gracie, the loneliest pup in the litter, then how, over the next ten years, Gracie saves Dan and Mark, teaching them the real meaning of happiness. There's the moment of meeting, when Gracie gets to her feet like a clumsy foal and nuzzles Dan's nose. Gracie's romance with the pint-size Boston Terrier next door. And the eureka moment (born of Gracie's anorexia-inducing dislike for commercial dog food): Dan teaches himself to cook a! nd within three days begins baking the dog cookies that will t! ransform their lives. AMAZING GRACIE is a dog-lover's treat."I am so glad the time has come for Gracie and Peter to share this amazing story with the world. You will carry it with you always." -Jeff Foxworthy "Thank you, Peter and Gracie, for lifting our own burdens as you bear your hearts in this remarkable book." -Joni Eareckson-Tada. "I have met many brave, inspirational people through the years but Gracie Rosenberger has to be the most extraordinarily courageous individual I have ever known." - Kathy Lee Gifford "An extraordinary, magical memoir of bravery, perseverance, faith, and love." -Senator Bill Frist, MD former Majority Leader, United States Senate Eventually, we must face losing control of our bodies, causing many to live in fear and despair. Sometimes, this loss of control happens in a violent and tragic way, birthing a discovery of greater truths to individuals through suffering ...who in turn become beacons of hope to millions.Meet Gracie Bowen,! she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer... on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the soccer field, Gracie must summon all of her strength and courage, to finally show the world that a girl with a dream can do absolutely anything!

DVD Features:
Audio Commentary
Featurette
Theatrical Trailer

Both on-screen and off, Gracie is an inspiring family affair that turns real-life tragedy into a spirited tale of fortitude. With former Melrose Place star Andrew Shue serving as producer and playing a supporting role, and his actress sister Elisabeth Shue (Leaving Las Vegas) in a supporting role, this modest, $10 million independen! t production was directed by Elisabeth Shue's husband, TV vete! ran Davi s Guggenheim (director of Al Gore's global-warming documentary An Inconvenient Truth), and loosely inspired by the death of the Shues' brother, Will. Elisabeth Shue's successful late-1970s campaign to replace her late brother on his high school soccer team serves as the basis for this appealing, no-frills drama about Gracie Bowen (Carly Schroeder), an athletic New Jersey teenager whose soccer-star brother is killed in a car accident. Against the wishes of her initially unsupportive parents (Dermot Mulroney, Elisabeth Shue), she pays tribute to her brother by pursuing his place on her high school's boy's soccer team. The year is 1978 (with Boston's "Don't Look Back" and other '70s hits on the soundtrack), and girls' soccer doesn't yet exist in American high schools, but Gracie's determination pays off, and without attempting to reinvent the wheel, Gracie emerges as a satisfying, emotionally authentic story of personal perseverance. In a role that all teenage gir! ls will relate to, Schroeder (a seasoned child-star veteran of soap operas and sitcoms) gives a quietly forceful performance that's sure to boost her Hollywood profile, and the fine supporting cast and a sensibly-written screenplay keep Gracie from becoming the maudlin tear-jerker it might have been. Gracie isn't a great film by any means, but for all its familial heart and soul, it deserves to be called a winner. --Jeff Shannon

Wednesday, January 11, 2012

Die Another Day (Widescreen Special Edition)

  • 2002 - Die Another Day - MGM - Special Edition
  • 2-Disc Collectible Set - Over 7 Hours of Bonus Features
  • Pierce Brosnan, Halle Berry, Judi Dench
  • PG-13 - Widescreen - Best Collectible Release to Date
  • Collectible - New
When his top-secret mission is sabotaged, James Bond (Pierce Brosnan) finds himself captured by theenemy, abandoned by MI6 and stripped of his 00-license. Determined to get revenge, Bond goes head-to-head with a sultry spy (OscarÂ(r) winner* Halle Berry), a frosty agent (Rosamund Pike) anda shadowy billionaire (Toby Stephens) whose business is diamonds but whose secret is a diabolical weapon that could bring the world to its knees! Bristling with excitement and bursting with explosivespecial effects, Die Another Day is an adrenaline-pumping thrill-ride with "stunts and non-stop action [that] will astonish you" (Jeffrey Lyons, WNBC-TV)! *2001: Actre! ss, Monster'sBallThe 20th James Bond adventure, Die Another Day succeeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan's got style and staying power as James Bond, now bearing little resemblance to Ian Fleming's original British super-spy, but able to hold his own at the box office. He's paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as "Q" and "M," respectively); they're accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. W! ith clever nods to 007's cinematic legacy, Die Another Day make s you welcome the familiar end-credits promise: James Bond will return. --Jeff Shannon

Blazing Saddles (30th Anniversary Special Edition)

  • The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got.and name a new sheriff who'll last about 24 hours.But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, h
The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film many call his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all. Cleavon Little as the new! lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dim-witted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same!Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproa! rious send-up of Marlene Dietrich as saloon songstress Lili Vo! n Shtupp . Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff ShannonMel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hu! ngry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon

Friends & Lovers

  • Condition: New
  • Format: DVD
  • Color; Dolby; DVD; Full Screen; NTSC
Erin Snyder has given up on men. Once she has sex with them, they never call her again. She has to be doing something wrong, but has no idea what. She decides only her best friend Luke Duvall can help her.

Luke can’t believe Erin’s suggestion that they have sex. No matter how alluring or attractive he finds her, he doesn’t want to mess up their friendship by bringing sex into it.

A combination of a hot evening, a cool swimming pool, and steamy conversation breaks down Luke’s reservations. He and Erin have the wildest, most earth-shattering sex either of them have ever experienced.

Doubts plague both of them the next morning. If they take a risk on falling in love, it will either change their friendship into something more precious, or destroy it forever.

Approxim! ately 14,000 words.
Erin Snyder has given up on men. Once she has sex with them, they never call her again. She has to be doing something wrong, but has no idea what. She decides only her best friend Luke Duvall can help her.

Luke can’t believe Erin’s suggestion that they have sex. No matter how alluring or attractive he finds her, he doesn’t want to mess up their friendship by bringing sex into it.

A combination of a hot evening, a cool swimming pool, and steamy conversation breaks down Luke’s reservations. He and Erin have the wildest, most earth-shattering sex either of them have ever experienced.

Doubts plague both of them the next morning. If they take a risk on falling in love, it will either change their friendship into something more precious, or destroy it forever.

Approximately 14,000 words.
What happens when friends cross the line and become lovers? Lies fly, emotions erupt, and the stage is set for a totally uncensored! , hilarious, and outrageously entertaining adventure in seduct! ion, bet rayal, heartbreak, revenge, and oh-so-sweet true love. Shelby Daniels and her best friend Debra Mitchell have just gotten off the sex-before-marriage merry-go-round with men. Each has gone looking for love, found love, lost love, and at this point, sworn off men forever-- until Debra meets Leonard DuBois, an aspiring stand-up comedian who tries to laugh his way into her heart. But the laughter stops when he is forced to confront some hurdles of his own. Debra has devoted her mind, body, heart and soul to God, so if he wants to ride with her, he'll have to produce the ring. In the meantime, feisty, nosy, attitude-packing flight attendant Shelby keeps intervening in Debra's business. Needing someone to run interference and get rid of Shelby, Leonard calls on his best buddy, Tyrel, a sexy and charming computer software designer unable to design the perfect woman. On the rebound, Shelby keeps her heart locked away, but when Tyrel finds the key, the attraction is instant and so a! re the consequences. Their relationship moves at warp speed, leaving Shelby confronting a decision that could turn her whole life around and break both of their hearts. As a result, friendships fall by the wayside, jealousy come into play, and sisterhood is torn apart. It takes tragedy on a grand scale to reunite lovers destined for each other and teach both couples that friendship is perhaps the most valuable gift they've been given in this hilarious tale of friendship, love, and faith that speaks directly to the heart. Based on the best-selling novel by Eric Jerome Dickey (EJD).

Pullman Holt B200752 Gloss Boss Mini Floor Scrubber

  • Polish and protect any flooring
  • Lightweight only weighs 7 lbs
  • Features heavy-duty wheels for transport
  • Foot activated power release pedal
  • Includes two washable microfiber pads
Gloss BossTM Buffer Buff, polish and protect hardwood, vinyl, tile, laminate and concrete floors keeping them sparkle clean. Unlike many commercial grade buffers, this one is lightweight (7 lbs.), easy to push and has no drag. Simply spray area with household cleaners and let the powerful dual nylon brushes do the rest. Features heavy-duty wheels for transport and a foot-activated power release pedal. Works on carpets to remove stains! Includes two washable microfiber pads. ETL certified.

Saturday, January 7, 2012

Assisted Living

  • "Assisted Living" chronicles a day in the life of Todd, a janitor who spends his days smoking pot and interacting with the residents for his own entertainment. Todd's detachment from his surroundings is compromised only by his unlikely friendship with Mrs. Pearlman, a resident who begins to confuse him with her son. On this particular day, Todd must choose whether or not to play the part. "Ass

The demand for residential communities for seniors rises as the U.S. population continues to age. This growth means that new administrators and staff members often are learning by trial and error the complicated task of delivering high-quality and consistent services to elderly persons. While many new facilities have been successful, others have been plagued by a variety of administrative and financial difficulties. Senior Living Communities remains the definitive guide to managing these faci! lities.

In this thoroughly updated and revised edition, Benjamin W. Pearce offers a wealth of sound advice and practical solutions. He discusses resident relations, operating methods, staffing ratios, department management, cost containment, sales and marketing strategies, techniques of financial analysis, budgeting, and human resources. New chapters address issues particular to dementia care and architecture, and the appendix contains a department-by-department audit of senior living operations.

From the front lines to the boardroom, this book should be a part of every decision-making process for improving and maintaining assisted living, congregate, and continuing care retirement communities.

Newly revised and updated, this acclaimed, complete guide delivers what people need to know to help an aging loved one--a must for all caregivers!

Written by two distinguished psychologists for spouses, siblings, and adult children, this frank and highly ! useful guide is meticulously organized to provide answers, dis! pel myth s, anticipate needs, and provide strategies for dealing with every aspect of in-home and facility care.

With chapters on choosing the right placement setting, navigating the bureaucracy of today's eldercare system, and determining how best to pay for services, this revised edition includes new information on:

*diagnosis
*interventions
*insurance, legal, and policy matters
as well as updated checklists, phone and Internet lists, budget worksheets, and questionnaires.

"Since there are few books available on this topic that are this comprehensive and well-organized, this book should be of value to anyone interested in the topic of assisted living facilities in the U.S." Score: 98, 5 stars

--Doody's

"This book is much needed. It offers a practical approach to key issues in the management of an assisted living facility It is especially pleasing to see the long needed collaboration between nursing, social ser! vices, and education that is reflected by the training of the authors. This book is an important milestone for the field of aging and assisted living administration."

Robert Newcomer, PhD,
Department of Social and Behavioral Sciences
University of California-San Francisco
(From the Foreword)

Assisted Living Administration and Management contains all the essentials for students new to the field, as well as nuanced information for professionals looking to fine-tune their skills. This comprehensive resource provides deeper insights to address the ever-changing world of the assisted living community, containing effective best practices and model programs in elder care. The authors provide the necessary tools and tips to maximize the overall health, safety, and comfort of residents.

This landmark reference, for assisted living and senior housing administrators as well as graduate students, contains the most practical guidel! ines for operating assisted living facilities. It offers advic! e on hir ing and training staff, architecture and space management, and more. This multidisciplinary book is conveniently organized to cover the most crucial aspects of management, including organization; human resources; business and finance; environment; and resident care.

Key Features:

  • Highlights the most effective practices and model programs in elder care that are currently used by facilities throughout the United States
  • Contains useful details on business and financial management, including guidelines for marketing, legal issues and terms, and public policy issues
  • Includes chapters on environmental management, with information on accessibility, physical plant maintenance, and disaster preparedness
  • Emphasizes the importance of holistic, resident care management, by examining the biological, psychological, and social aspects of aging
  • Enables students to evaluate, analyze, and synthesize information on how to operate assisted li! ving facilities

Assisted living is the fastest-growing alternative to skilled nursing care for frail older persons in the United States. The expectations, settings, and missions of these residences are varied, making it difficult for prospective residents and their families to anticipate what it would be like to live in them. This book is a unique portal into the real world of assisted living and the key issues facing consumers, providers, and policy makers.

Drawing on in-depth interviews with residents, their family members, staffers, and administrators, Inside Assisted Living opens the window on day-to-day life in six different types of assisted living residence. From "Miss Helen at Valley Glen Home" to "Mr. Sidney at Laurel Ridge," the detailed profiles of individuals show the commonalities among the residences while highlighting the positive and negative aspects of each. The voices of those living, visiting, and working in the homes clarify! the important local (social relations, staff dynamics, leader! ship) an d national (funding, regulation, aging-in-place) challenges presented by assisted living.

Introductory and concluding chapters synthesize new findings that cross the six settings and reflect issues vital to all participants. The book also features an appendix detailing the research process involved in creating the profiles.

ASSISTED LIVING - DVD Movie

Honey and Spice: Sensual and Fierce Burlesque

  • HONEY & SPICE:SENSUAL & FIERCE BURLESQUE, WITH JO (DVD MOVIE)
A small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Christina Aguilera Run time: 118 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks a! bout in an undefined role that might well have been filmed mon! ths afte r everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonA small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Run time: 119 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame! who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? S! eriously, you didn't see that coming? Writer-director Steve An! tin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks about in an undefined role that might well have been filmed months after everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonBurlesque, the soundtrack to the Sony Pictures film Burlesque, starring Christina Aguilera and Cher. The highly anticipated soundtrack features new recordings performed and co-written by five time Grammy winner Christina Aguilera, with production by ! Tricky Stewart, Linda Perry and Ron Fair and songwriting by Claude Kelly, Tricky Stewart and Sia. The soundtrack also features two brand new tracks performed by the legendary Cher, including "You Haven't Seen The Last Of Me", a powerful Diane Warren penned ballad which was produced by Matt Serletic. This marks Cher's first new original song in seven years as well as her first movie musical. The soundtrack also includes remakes / covers of classic songs such as Etta James' "Something's Got A Hold On Me" and "Tough Lover" and Mae West's "A Guy What Takes His Time" all performed by Christina Aguilera.Burlesque Beat is not just another aerobic exercise program, it combines exciting dance moves with exotic stretches to create an all over cardio and body sculpting workout. Burlesque Beat is a dance-inspired fitness class full of fun achievable moves designed to turn you into a vibrant, sexy woman. Rodney James, one of Australia's most respected, passionate and inspirational fitne! ss instructors, shows you the body-shaping benefits of dance w! hich he uncovered during a successful international performance career. His enthusiasm and true passion for dance dissolves doubts and self-consciousness, enabling the most timid individual to move more confidently than ever. Rodney s video instruction has a room full of beautiful models to demonstrate to you all the sexy moves you ll need to know.The Honey & Spice instructional video explores two styles of burlesque: Sensual and Fierce. Burlesque is a sophisticated theatrical art with a long history, many subgenres and a wide range of flavors from classic to neo-burlesque. Burlesque combines elements of acting, modeling and dance. It cultivates confidence, bold femininity, and a sense of humor.

Created by Jo Weldon, the Headmistress and Founder of the New York School of Burlesque, the program features two burlesque routines set to authentic burlesque music. The emphasis of both routines is on understanding the art of concealing and revealing. While burlesque has its own cl! assic moves and steps, any burlesque routine can be personalized by adding steps from your favorite form of dance or from other variety arts.

The Honey routine is a tantalizing, sensual dance, performed with a feather boa. It is playful, funny, and very graceful. You will learn how to work with the boa, how to peel off your gloves, how to interact with your audience, and how to be sexy and confident on stage.

The Spice routine is based on the burlesque staple, Bump & Grind. It is high-energy, sexy, rhythmic, and glamorous. You will learn different types of bumps, various burlesque walks, and classic burlesque poses. In the Spice routine you will also learn how to project the burlesque attitude, that sexy confidence you need to amaze and charm any audience.

Jo demonstrates the routines and then breaks down each section step-by-step. Every routine consists of 5 combinations. The DVD chaptering allows you to navigate easily between combinations, both! in the demonstrations and in the breakdowns, for easy review ! and prac tice.

Additional technique and practice sections include a warmup, a sensual burlesque movement series, and the basics of bump & Grind. Jo also discusses burlesque costumes and offers tips for using certain special items of clothing as props: You will learn how to make a theatrical event out of peeling off your stockings and gloves, and taking off your corset. Special DVD Extras demonstrate the basics of Tassel Twirling and show different types of pasties and how to attach them.

Both routines in this program are based on the classic burlesque [striptease] tradition. Jo teaches moves she learned from women who performed burlesque in the 1930s through the 1960s. Jo s fascination with classic burlesque brought her to study with Dixie Evans, Sherry Britton, Tura Satana, Satan's Angel, Dee Milo, Toni Elling, and other legends of burlesque. Jo Weldon is the Co-Executive Director of Education for The Burlesque Hall of Fame, Las Vegas, as well as the Coordinator of! The Burlesque Master Class at Coney Island, where the best of New York's amazing neo-burlesque performers come together to present their most outrageous and iconoclastic acts.

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