- In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the
Now, Josie must adjust to the realities of a steady relationship with a vampire, which isnât all exciting parties, hot sex and moonlit walks. And with a vamp whoâs anxious to push their relationship to the next phase as mortality bears down on his humanâs fragile body, the pressure for Josie to commit is on.
Can their night-day romance survive leaving Josieâs character and individuality intact, or will the secrets of the supernatural community crush her spirit and her chance at a permanent vampire mate?
*Title is a 140-page novel! la.
WARNING: This is not your regular paranormal romance. This series explores the realities (such as they might be) of humans having relationships with vampires and uses a chick lit style to get there. Oh yeah--and the characters within are fallible and not entirely heroic.
You've been warned...
For more fun, visit Vamplure.com!
EXCERPT
PART 1â"HOW TO GET YOUR VAMPIRE TO SHARE
Vampires are possessive with their property, their lovers (which are not more than a step above property), their information, and their personal history. It is not often a human woman is lucky enough to find one who shares memories of his youth during post-coital lounging.
After a lifetime of dating humans, the best way for you to adjust to the possessiveness of your vampire lover is to revel in it, accept it, and take his attention for the compliment that it isâ¦
---Excerpt from VampLure Magazine
Ch! apter 1
Dusty. Texas is dusty. Sure, maybe not all ! of Texas is dusty, but the part that my superhot vampire boyfriend and I were driving through was decidedly dusty. Even in the dark of nightâ"which was when we had to driveâ"I could see the powdery dirt rising from the road as our tires stirred it up. Fortunately, we didnât need to have the windows open in the old Ford since Walker, the aforementioned superhottie, had finally gotten the truckâs air conditioning fixed. Unfortunately, Walker was pro-nicotine and without the windows down, I was stuck inhaling the obnoxious fumes of his chain-lit smokes.
âYou know Nicotene-o, you might not get any sex tonight if you keep blowing your nasty-ass cigarette smoke in my face,â I said.
Walkerâs head turned from the endless expanse of highway ahead and his eyes, partially hidden behind hanks of his layered, dirty blond hair, found mine. He lifted one eyebrow and quirked his thin lips in a smug, sexy way that turned my genitals into a penis pep squad and had th! em sending an SOS up to my brain for some sexlike activity.
After sucking in, and blowing out, one more puff of smoke, he answered me. âAnd whyâs that, my little hyperbolic chamber?â If I were honest, watching his thin but soft lips tug at the cigarette was one of the sexiest things ever, but I didnât want those lips tugging at anything but my skin, which meant I was actually jealous of tobacco.
âBecause your cigarette smoke makes my eyes red, and that makes me tired. It also gives me a headache andâ"â
âJosie, a headache is the oldest excuse in the bookâ"â
ââ"and youâre old enough to know.â I interrupted to fit in one of my favorite rankling comments.
Any human in a relationship with a vampire is automatically at a disadvantage in terms of life span, strength, and speedâ"boning up on your banter and flinging it at every opportunity could be the only edge youâve got. Of course, you also need t! o be ready for your sexy blood aficionado to fling it back.
âExactly, so donât think thatâs going to work on me. I know how to get you where I want youâ"headache or not.â As he spoke, Walkerâs hand slipped from the steering wheel and onto my knee, where it began a heroic and purposeful journey up my thigh.
Josieâs come a long way from being an average human chick who just wants to sex-up a vampire. Sheâs dated, mated, and killed one of the worldâs richest vamps and is currently seeing a mysterious, blood-slurping hottie named Walker.
Now, Josie must adjust to the realities of a steady relationship with a vampire, which isnât all exciting parties, hot sex and moonlit walks. And with a vamp whoâs anxious to push their relationship to the next phase as mortality bears down on his humanâs fragile body, the pressure for Josie to commit is on.
Can their night-day romance survive leaving Josieâs character and individuality intact, or will the secrets of the supernatural community crush her ! spirit and her chance at a permanent vampire mate?
*Title is a 140-page novella.
WARNING: This is not your regular paranormal romance. This series explores the realities (such as they might be) of humans having relationships with vampires and uses a chick lit style to get there. Oh yeah--and the characters within are fallible and not entirely heroic.
You've been warned...
For more fun, visit Vamplure.com!
EXCERPT
PART 1â"HOW TO GET YOUR VAMPIRE TO SHARE
Vampires are possessive with their property, their lovers (which are not more than a step above property), their information, and their personal history. It is not often a human woman is lucky enough to find one who shares memories of his youth during post-coital lounging.
After a lifetime of dating humans, the best way for you to adjust to the possessiveness of your vampire lover is to revel in it, accept it, and take his attention for the compliment that it isâ¦
---Excerpt from VampLure Magazine
Chapter 1
Dusty. Texas is dusty. Sure, maybe not all of Texas is dusty, but the part that my superhot vampire boyfriend and I were driving through was decidedly dusty. Even in the dark of nightâ"which was when we had to driveâ"I could see the powdery dirt rising from the road as our tires stirred it up. Fortunately, we didnât need to have the windows open in the old Ford since Walker, the aforementioned superhottie, had finally gotten the truckâs air conditioning fixed. Unfortunately, Walker was pro-nicotine and without the windows down, I was stuck inhaling the obnoxious fumes of his chain-lit smokes.
âYou know Nicotene-o, you might not get any sex tonight if you keep blowing your nasty-ass cigarette smoke in my face,â I said.
Walkerâs head turned from the endless expanse of highway ahead and his eyes, partially hidden behind hanks of his layered, dirty blond hair, found mine. He lifted one eyebrow and quirked his thin lips in a smug, sexy way that turned my genita! ls into a penis pep squad and had them sending an SOS up to my brain for some sexlike activity.
After sucking in, and blowing out, one more puff of smoke, he answered me. âAnd whyâs that, my little hyperbolic chamber?â If I were honest, watching his thin but soft lips tug at the cigarette was one of the sexiest things ever, but I didnât want those lips tugging at anything but my skin, which meant I was actually jealous of tobacco.
âBecause your cigarette smoke makes my eyes red, and that makes me tired. It also gives me a headache andâ"â
âJosie, a headache is the oldest excuse in the bookâ"â
ââ"and youâre old enough to know.â I interrupted to fit in one of my favorite rankling comments.
Any human in a relationship with a vampire is automatically at a disadvantage in terms of life span, strength, and speedâ"boning up on your banter and flinging it at every opportunity could be the only edge youâve got. Of course,! you also need to be ready for your sexy blood aficionado to f! ling it back.
âExactly, so donât think thatâs going to work on me. I know how to get you where I want youâ"headache or not.â As he spoke, Walkerâs hand slipped from the steering wheel and onto my knee, where it began a heroic and purposeful journey up my thigh.
TOUCH THE SOUND - DVD MovieSubtitled "A Sound Journey with Evelyn Glennie," German director Thomas Riedelsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as "the first full-time solo percussionist." Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to "hear" with her entire body. The film reveals Glennie's extraordinary skills in a variety of settings: playing a snare drum for bemused New Yorkers in cavernous Grand Central Station; improvising with guitarist Fred Frith i! n an empty warehouse in Cologne, Germany (their final vibes-guitar duet is one of the film's musical highlights); working with hearing-impaired students in her native Aberdeenshire; jamming with taiko drummers in Japan, and later delighting customers in a Tokyo bar with a spontaneous workout involving chopsticks, dishes, cans, and glassware (the woman can make music with virtually anything). But Riedelsheimer, who was also the film's editor and cinematographer, has a broader agenda here--namely, to intensify our awareness of the sounds that surround us everywhere, in every moment. From the streets of New York to the beaches of Santa Cruz, from the rocky Scottish coastline to a tranquil Japanese rock garden, he links heightened audio, as clear and natural as the best ECM recordings, to a succession of gorgeous visual images to create a balance of complex detail and overall sparseness, resulting in a kind of Zen feast. Even more of the same is found in a "making of" featurett! e that's the highlight of the bonus material, making Touch ! the Soun d easily one of the most rewarding documentaries in recent years. --Sam Graham
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